Konstfacks bibliotek

*00006067nam a22004693  4500
*00139016
*00520150210113935.9
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*008141013s2011||||xx ||||||||||s||||||eng||
*020  $a9780123855039
*035  $a(Ko)43958
*040  $aAU-PeEL$beng$cAU-PeEL$dAU-PeEL
*050 4$aTS170  .D47 2011
*08200$a607.2$a745.2
*1001 $aKoskinen, Ilpo.
*24510$aDesign Research Through Practice$h[electronic resource] :$bFrom the Lab, Field, and Showroom
*260  $aBurlington$bElsevier Science$c2011
*300  $a1 online resource (223 p.)
*500  $aDescription based upon print version of record.
*5050 $aFront Cover; Design Research Through Practice; Copyright Page; Contents; Foreword; Preface; Acknowledgments; 1. Constructive Design Research; 1.1 Beyond Research Through Design; 1.2 Constructive Research in Design Research; 1.3 What Is "Design"?; 1.4 Industrial Design and Interaction Design; 1.5 Design Research in Second Modernity; 2. The Coming Age of Constructive Design Research; 2.1 The User-Centered Turn: Searching the Middle Way; 2.2 Beyond the User; 2.2.1 Design Practice Provides Methods; 2.2.2 Turn to Technology; 2.2.3 Enter User Experience; 2.2.4 Design Tradition as Inspiration
*5058 $a2.3 Between Engineering, Science, Design, and Art3. Research Programs; 3.1 Some Features of Constructive Research Programs; 3.2 Imagination as a Step to Preferred Situations; 3.3 Making Imagination Tangible: Workshops and Studios in Research; 3.4 How Constructive Design Research Produces Meaning; 3.5 Toward Socially Robust Knowledge; 4. Lab: Can you Really Study Design in the Laboratory?; 4.1 Rich Interaction: Building a Tangible Camera; 4.2 Laboratory as a Site of Knowledge; 4.3 Experimental Control; 4.4 Physical Hypotheses and Design; 4.5 Design, Theory, and Real-World Relevance
*5058 $a4.6 From Lab to Society: The Price of Decontextualization4.7 Program at the Junction; 5. Field: How to Follow Design Through Society; 5.1 Vila Rosário: Reframing Public Health in a Favela; 5.2 Understanding as the Basis of Design; 5.3 Exploring Context with Props; 5.4 Generating Concepts as Analysis; 5.5 Evaluation Turns into Research: Following Imaginations in the Field; 5.6 Interpretations as Precedents; 5.7 Co-Design and New Objects; 6. Showroom: Research Meets Design and Art; 6.1 The Origins of Showroom; 6.2 Agnostic Science; 6.3 Reworking Research; 6.4 Beyond Knowledge: Design for Debate
*5058 $a6.5 Enriching Communication: Exhibitions6.6 Curators and Researchers; 6.7 How Not to Be an Artist; 6.8 Toward Post-Critical Design; 7. How to Work with Theory; 7.1 Acting in the World; 7.2 Lab: From Semantic Perception to Direct Action; 7.3 Field: You Cannot Live Alone; 7.4 Showroom: Design and Culture Under Attack; 7.5 Frameworks and Theories; 8. Design Things: Models, Scenarios, Prototypes; 8.1 User Research with Imagination; 8.2 Gaining Firsthand Insights in the Studio; 8.3 Concept Design with Moodboards, Mock-ups, and Sketches; 8.4 Prototyping; 8.5 Platforms: Taking Design into the Field
*5058 $a8.6 Design Things in Research9. Constructive Design Research in Society; 9.1 Luotain; 9.2 Researchers as Peers; 9.3 Research Faces Design Traditions; 9.4 New Bauhauses: Digital and Electronic; 9.5 Meet the Business; 9.6 Embracing the Public Good; 9.7 Constructive Design Research in Society; 10. Building Research Programs; 10.1 Beyond Rationalism; 10.2 Contribution and Knowledge; 10.3 How to Build Research Programs; 10.4 Inspirations and Programs; 10.5 Research Programs and Methodologies; 10.6 The Quest for a Big Context; References; Index
*520  $aDesign Research Through Practice: From the Lab, Field, and Showroom focuses on one type of contemporary design research known as constructive design research. It looks at three approaches to constructive design research: Lab, Field, and Showroom. The book shows how theory, research practice, and the social environment create commonalities between these approaches. It illustrates how one can successfully integrate design and research based on work carried out in industrial design and interaction design.  The book begins with an overview of the rise of constructive design research, as well as constructive research programs and methodologies. It then describes the logic of studying design in the laboratory, design ethnography and field work, and the origins of the Showroom and its foundation on art and design rather than on science or the social sciences. It also discusses the theoretical background of constructive design research, along with modeling and prototyping of design items. Finally, it considers recent work in Lab that focuses on action and the body instead of thinking and knowing. Many kinds of designers and people interested in design will find this book extremely helpful.  Gathers design research experts from traditional lab science, social science, art, industrial design, UX and HCI to lend tested practices and how they can be used in a variety of design projects    Provides a multidisciplinary story of the whole design process, with proven and teachable techniques that can solve both academic and practical problems    Presents key examples illustrating how research is applied and vignettes summarizing the key how-to details of specific projects
*650 4$aField.
*650 4$aIndustrial design
*650 4$aIndustrial design.
*650 4$aLaboratory.
*650 4$aShowroom.
*655 0$aElectronic books.
*7001 $aZimmerman, John
*7001 $aBinder, Thomas.
*7001 $aRedström, Johan
*7001 $aWensveen, Stephan.
*77608$iPrint version:$aKoskinen, Ilpo$tDesign Research Through Practice : From the Lab, Field, and Showroom$dBurlington : Elsevier Science,c2011$z9780123855022
*852  $hTillgänglig inom Konstfack$lKOS
*85640$uhttp://konstfack.eblib.com/patron/FullRecord.aspx?p=767255$zRead online / download
^

Design Research Through Practice: From the Lab, Field, and Showroom focuses on one type of contemporary design research known as constructive design research. It looks at three approaches to constructive design research: Lab, Field, and Showroom. The book shows how theory, research practice, and the social environment create commonalities between these approaches. It illustrates how one can successfully integrate design and research based on work carried out in industrial design and interaction design.

The book begins with an overview of the rise of constructive design research, as well as constructive research programs and methodologies. It then describes the logic of studying design in the laboratory, design ethnography and field work, and the origins of the Showroom and its foundation on art and design rather than on science or the social sciences. It also discusses the theoretical background of constructive design research, along with modeling and prototyping of design items. Finally, it considers recent work in Lab that focuses on action and the body instead of thinking and knowing.

Many kinds of designers and people interested in design will find this book extremely helpful.

Gathers design research experts from traditional lab science, social science, art, industrial design, UX and HCI to lend tested practices and how they can be used in a variety of design projects Provides a multidisciplinary story of the whole design process, with proven and teachable techniques that can solve both academic and practical problems Presents key examples illustrating how research is applied and vignettes summarizing the key how-to details of specific projects