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But is it art? [electronic resource] : an introduction to art theory
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  • But is it art? [electronic resource] : an introduction to art theory
Utgivning, distribution etc.
  • Oxford University Press Oxford 2001
Utgivningsår
  • 2001
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
Fysisk beskrivning
  • 1 online resource (254 p.)
Anmärkning: Allmän
  • Description based upon print version of record.
Anmärkning: Innehåll
  • Cover; Contents; Colour plates; Black and white illustrations; Introduction; 1 Blood and beauty; 2 Paradigms and purposes; 3 Cultural crossings; 4 Money, markets, museums; 5 Gender, genius, and Guerrilla Girls; 6 Cognition, creation, comprehension; 7 Digitizing and disseminating; Conclusion; References; Further reading; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V; W; Z
Anmärkning: Innehållsbeskrivning, sammanfattning
  • In today''s art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain''s role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.
Term
Annat medium
  • Print version: Freeland, Cynthia But Is It Art? : An Introduction to Art Theory Oxford : Oxford University Press,c2001 ISBN 9780192853677
Elektronisk adress och åtkomst (URI)
  • http://konstfack.eblib.com/patron/FullRecord.aspx?p=1107710 Read online / download
ISBN
  • 9780191593772
Antal i kö:
  • 0 (0)
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*1001 $aFreeland, Cynthia
*24510$aBut is it art?$h[electronic resource] :$ban introduction to art theory
*260  $aOxford$bOxford University Press$c2001
*300  $a1 online resource (254 p.)
*500  $aDescription based upon print version of record.
*5050 $aCover; Contents; Colour plates; Black and white illustrations; Introduction; 1 Blood and beauty; 2 Paradigms and purposes; 3 Cultural crossings; 4 Money, markets, museums; 5 Gender, genius, and Guerrilla Girls; 6 Cognition, creation, comprehension; 7 Digitizing and disseminating; Conclusion; References; Further reading; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V; W; Z
*520  $aIn today''s art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain''s role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.
*650 4$aAesthetics.
*650 4$aArt -- Philosophy.
*655 0$aElectronic books.
*77608$iPrint version:$aFreeland, Cynthia$tBut Is It Art? : An Introduction to Art Theory$dOxford : Oxford University Press,c2001$z9780192853677
*852  $lFRE$hTillgänglig inom Konstfack
*85640$uhttp://konstfack.eblib.com/patron/FullRecord.aspx?p=1107710$zRead online / download
^
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In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.

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