Hylla
Personnamn
Titel och upphov The origins of comics : from William Hogarth to Winsor McCay
Uniform titel Naissances de la bande dessinée. English.
Utgivning, distribution etc. University Press of Mississippi, Jackson, Miss. : 2014
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Upplaga
Fysisk beskrivning
Anmärkning: Allmän Translation of: Naissances de la bande dessinée.
Anmärkning: Bibliografi etc. Includes bibliographical references (pages 162-164) and index.
Anmärkning: Innehåll William Hogarth: Readable Images -- Graffiti and Little Doodle Men -- The Arabesque Novels of Rodolphe Töpffer -- "Go, Little Book!" -- The Evolution of the Press -- A. B. Frost and the Photographic Revolution -- From the Label to the Balloon -- Winsor McCay: The Last Baroque.
Anmärkning: Innehållsbeskrivning, sammanfattning "In The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted "sequential art" definition of the comic strip, Smolderen instead wishes to engage with the historical dimensions that inform that definition. His goal is to understand the processes that led to the twentieth-century comic strip, the highly recognizable species of picture stories that he sees crystallizing around 1900 in the United States. Featuring close readings of the picture stories, caricatures, and humoristic illustrations of William Hogarth, Rodolphe Töpffer, Gustave Doré, and their many contemporaries, Smolderen establishes how these artists were immersed in a very old visual culture in which images--satirical images in particular--were deciphered in a way that was often described as hieroglyphical. Across eight chapters, he acutely points out how the effect of the printing press and the mass advent of audiovisual technologies (photography, audio recording, and cinema) at the end of the nineteenth century led to a new twentieth-century visual culture. In tracing this evolution, Smolderen distinguishes himself from other comics historians by following a methodology that explains the present state of the form of comics on the basis of its history, rather than presenting the history of the form on the basis of its present state. This study remaps the history of this influential art form"-- Provided by publisher.
Term
Antal i kö:
*00003339nam a22003857a 4500
*00138880
*00520140520030914.0
*008140501s2014 xxua sb s001 0 eng d
*020 $z9781617031496 (hardback : alk. paper)
*020 $z1617031496 (hardback : alk. paper)
*035 $a(SE-LIBR)16548316
*035 $a(Ko)43797
*040 $aYDXCP$erda$beng$cYDXCP$dOCLCO$dN$dNNMM$dKo
*0411 $aeng$hfre
*050 4$aPN6710 $b.S613 2014
*072 7$aART$x010000$2bisacsh
*08204$a741.5/9$223
*084 $aG.05$2kssb/8
*1001 $aSmolderen, Thierry
*24010$aNaissances de la bande dessinée.$lEnglish.
*24514$aThe origins of comics :$bfrom William Hogarth to Winsor McCay /$cThierry Smolderen ; translated by Bart Beaty and Nick Nguyen
*250 $aEnglish edition.
*260 $aJackson, Miss. :$bUniversity Press of Mississippi,$c2014
*300 $avi, 168 s. :$bill.
*500 $aTranslation of: Naissances de la bande dessinée.
*504 $aIncludes bibliographical references (pages 162-164) and index.
*5050 $aWilliam Hogarth: Readable Images -- Graffiti and Little Doodle Men -- The Arabesque Novels of Rodolphe Töpffer -- "Go, Little Book!" -- The Evolution of the Press -- A. B. Frost and the Photographic Revolution -- From the Label to the Balloon -- Winsor McCay: The Last Baroque.
*520 $a"In The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted "sequential art" definition of the comic strip, Smolderen instead wishes to engage with the historical dimensions that inform that definition. His goal is to understand the processes that led to the twentieth-century comic strip, the highly recognizable species of picture stories that he sees crystallizing around 1900 in the United States. Featuring close readings of the picture stories, caricatures, and humoristic illustrations of William Hogarth, Rodolphe Töpffer, Gustave Doré, and their many contemporaries, Smolderen establishes how these artists were immersed in a very old visual culture in which images--satirical images in particular--were deciphered in a way that was often described as hieroglyphical. Across eight chapters, he acutely points out how the effect of the printing press and the mass advent of audiovisual technologies (photography, audio recording, and cinema) at the end of the nineteenth century led to a new twentieth-century visual culture. In tracing this evolution, Smolderen distinguishes himself from other comics historians by following a methodology that explains the present state of the form of comics on the basis of its history, rather than presenting the history of the form on the basis of its present state. This study remaps the history of this influential art form"--$cProvided by publisher.
*588 $aDescription based on print version record.
*650 0$aComic books, strips, etc.$xHistory and criticism.
*650 7$aTecknade serier$xhistoria$2sao$0349587
*650 0$aComic books, strips, etc.$xHistory
*841 $5Ko$ax a$b1405194u 8 1001uu 0901128$e4
*852 $5Ko$bKo$hTECKNADE SERIER - G.05
*950 $aVuxenserier$wh$uTecknade serier$xhistoria
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.