Konstfacks bibliotek

*00000717nam a22002893  45
*0013874
*007|||||||||||||||||||||||
*008110824s1988           |     |||  ||eng||
*020  $a0879239506
*020  $a0879239506
*020  $a0879237627
*020  $a0879237627
*035  $a(Ko)4174
*084  $aPoab
*084  $aAec
*084  $aPoa
*1001 $aGill, Eric
*24510$aAn essay on typography  /$cby Eric Gill ; with a new introduction by Christopher Skelton
*250  $a1. U. S. ed.
*260  $aBoston  :$bGodine ,$c1988
*300  $a133 s.
*653  $aTypografi
*697  $cTryckeri
*697  $cSättning
*697  $cBoktryckerihistoria
*8520 $hMAGASIN -  A
^

Born in 1882, Eric Gill was an artist, letter carver, polemicist, and social reformer. In 1925, he had started drawing alphabets and printing books, and in 1931, this plainspoken little book was a fustian and forceful argument for common sense in design, composed for anyone remotely interested in the subtle and evolving challenge of the typographic arts. Set rag right, with tight word spacing, it is a model of composition. The text, like most of Gill's, is exasperating, exorbitant, and exciting. But Gill was, above all, a craftsman, whose work always reflected his philosophy and whose hand always followed his moral convictions.