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Titel och upphov In the good name of the company : artworks and ephemera produced by or in tandem with the Colby Poster Printing Company
Varianttitel Artworks and ephemera produced by or in tandem with the Colby Poster Printing Company.
Utgivning, distribution etc. Picture Box Inc. , Brooklyn: 2013
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 317 p. : illustraions ; 24 cm.
Term
ISBN 978-1-939799-03-6 1-939799-03-1
Antal i kö:
*00001623nam a22004097a 4500
*00138716
*00520140227030932.8
*008130531s2013 xxua 000 0 eng d
*020 $a978-1-939799-03-6
*020 $a1-939799-03-1
*035 $a(SE-LIBR)15761360
*035 $a(Ko)43564
*040 $aBTCTA$beng$cBTCTA$dUKMGB$dYDXCP$dERASA$dBDX$dNLF$dKo
*050 4$aNC1845.C65$bI5 2013
*084 $aIfq-qa.55$2kssb/8
*084 $aIb-qa.55$2kssb/8
*084 $aIbvz Affischer$2kssb/8
*24504$aIn the good name of the company :$bartworks and ephemera produced by or in tandem with the Colby Poster Printing Company /$corganized by Christopher Michlig, Brian Toettinger, Jan Tumlir
*24630$aArtworks and ephemera produced by or in tandem with the Colby Poster Printing Company.
*260 $aBrooklyn:$bPicture Box Inc. ,$c2013
*300 $a317 p. :$billustraions ;$c24 cm.
*599 $aImported from: afton.lib.unc.edu:210/INNOPAC (Do not remove)
*650 7$aAffischer i konsten$2sao
*650 4$aFörenta staterna
*650 0$aPosters$zUnited States.
*650 0$aColby Poster Printing Company.
*7001 $aMichlig, Christopher$4oth
*7001 $aRoettinger, Brian$4oth
*7001 $aTumlir, Jan$4oth
*841 $5Ko$ax a$b1402264u 8 1001uu 0901128$e4
*852 $5Ko$bKo$hKONST - Ibvz Affischer
*951 $aNordamerikas Förenta stater$uFörenta staterna
*951 $aAmerikas förenta stater$uFörenta staterna
*951 $aUnited States of America$uFörenta staterna
*951 $aU.S.$uFörenta staterna
*951 $aUSA$uFörenta staterna
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The Los Angeles-based Colby Poster Printing Company has been a friend to local artists ever since Ed Ruscha's seminal Colby-printed announcement for the 1962 Pasadena Art Museum exhibition New Paintings of Common Objects. Their fluorescent posters have been disseminated on every high-traffic surface across the city, and their collection of over 150 wood and metal typefaces have remained an integral part of Los Angeles' visual aesthetic. This book is a unique tribute to Colby and the visual and cultural impact it continues to hold today.