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Varianttitel
Utgivning, distribution etc. I.B. Tauris : Distributed in the United States and Canada exclusively by Palgrave Macmillan, London ; New York : 2012.
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xxi, 170 p. : ill. ; 22 cm.
Seriebiuppslag under titel
Anmärkning: Bibliografi etc. Includes bibliographical references (p. [163]-167) and index. Includes filmography: p. [168].
Kronologisk term
Term
ISBN 1848855257 (PB) 9781848855243 (HB) 1848855249 (HB) 9781848855250 (PB)
Antal i kö:
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*1001 $aAloi, Giovanni
*24510$aArt and animals /$cGiovanni Aloi
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*504 $aIncludes filmography: p. [168].
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^
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'Art is continually haunted by the animal', wrote Deleuze and Guattari. Over the past two decades, animals have quite literally invaded the gallery space, from Joseph Beuys' co-habiting with a coyote, Janis Kounelli's instillation of live horses, Damien Hirst's shark in formaldehyde to Mark Dion's natural history displays and Marco Evaristti's 'goldfish in a blender'. In this latest addition to the highly acclaimed 'Art and...' series, Giovanni Aloi surveys the insistent presence of animals in the world of contemporary art, exploring the leading concepts which inform this emerging practice. From exhibitions featuring live animals, to taxidermy, and interspecies communication, Giovanni Aloi explores how animals feature in modern art with a range of thought-provoking and innovative visual representations. Art and Animals challenges ideas of identity, 'otherness' and civilisation by explaining the role animals have occupied in our cultural development and illustrating their presence in the visual arts today.
List of Illustrations p. ix Acknowledgements p. xiii Preface: Why Look at Animals Now? p. xv Caught up in Representation p. 1 Taxidermy: Subjugated Wilderness p. 24 Levels of Proximity p. 49 An Uncomfortable Closeness p. 68 The Animal that Therefore I am Not p. 89 The Death of the Animal p. 113 Conclusion In Conversation with Mark Dion The Culture of Nature p. 138 Notes p. 153 Bibliography p. 163 Filmography p. 168 Index p. 169