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On perfection : an artists' symposium
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Titel och upphov
  • On perfection : an artists' symposium
Utgivning, distribution etc.
  • Intellect, Bristol : 2013.
Utgivningsår
  • 2013
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 395 p. : ill. (colour) ; 23 cm.
Seriebiuppslag under titel
Anmärkning: Allmän
  • S. 17-32: Despoiling the ideal / Eva Stenram
Anmärkning: Innehållsbeskrivning, sammanfattning
  • Annotation Based on a 2012 symposium on Perfection, held at the Whitechapel Gallery in East London, this book explores the ways in which artists engage with ideas of perfection, drawing on screenings, performances, and discussions. The symposium featured the work of an eclectic group of artists and writers, who use photographic lenses of many kinds to create works that engage with or disrupt ideas of perfection. Framed from an artist's perspective and spanning a diverse range of artworks that question how these ideas shape our personal identities and our social and political systems, On Perfection considers the multifaceted nature of lens-based practices.
Kronologisk term
  • 2000-talet
Term
ISBN
  • 978-1-84150-710-1 (pbk.)
Antal i kö:
  • 0 (0)
 
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*5208 $aAnnotation Based on a 2012 symposium on Perfection, held at the Whitechapel Gallery in East London, this book explores the ways in which artists engage with ideas of perfection, drawing on screenings, performances, and discussions. The symposium featured the work of an eclectic group of artists and writers, who use photographic lenses of many kinds to create works that engage with or disrupt ideas of perfection. Framed from an artist's perspective and spanning a diverse range of artworks that question how these ideas shape our personal identities and our social and political systems, On Perfection considers the multifaceted nature of lens-based practices.
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*650 0$aPhotography, Artistic.
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*7001 $aLonghurst, Jo,$d1962-$4edt
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Based on a 2012 symposium on Perfection, held at the Whitechapel Gallery in East London, this book explores the ways in which artists engage with ideas of perfection, drawing on screenings, performances, and discussions. The symposium featured the work of an eclectic group of artists and writers, who use photographic lenses of many kinds to create works that engage with or disrupt ideas of perfection. Framed from an artist's perspective and spanning a diverse range of artworks that question how these ideas shape our personal identities and our social and political systems, On Perfection considers the multifaceted nature of lens-based practices.
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