Hylla TEXTIL - Ihcz Wilson, Anne
Personnamn
Titel och upphov Anne Wilson : wind/rewind/weave
Utgivning, distribution etc. WhiteWalls Inc., and distributed by The University of Chicago Press, [Chicago, IL] : 2011.
Utgivningsår
Fysisk beskrivning 159 p. : ill. (some col.) ; 26 cm.
Anmärkning: Allmän Exhibition: Knoxville Musuem of Art, January 22-April 25, 2010.
Anmärkning: Bibliografi etc. Includes bibliographical references (p. 146-149).
Personnamn
Term
Institutionsnamn
ISBN 978-0-945323-22-8 (Paper) 0-945323-22-0 (Paper)
Antal i kö:
*00001136nam a2200301 a 4500
*00138637
*00520140305030907.1
*008111201s2011 ilua b 000 0 eng d
*020 $a978-0-945323-22-8 (Paper)
*020 $a0-945323-22-0 (Paper)
*035 $a(SE-LIBR)12633954
*035 $a(Ko)43465
*040 $aNNfCLS$beng$dCaOLU
*1001 $aWilson, Anne,$d1949-
*24510$aAnne Wilson :$bwind/rewind/weave /$cAnne Wilson.
*260 $a[Chicago, IL] :$bWhiteWalls Inc., and distributed by The University of Chicago Press,$c2011.
*300 $a159 p. :$bill. (some col.) ;$c26 cm.
*500 $aExhibition: Knoxville Musuem of Art, January 22-April 25, 2010.
*504 $aIncludes bibliographical references (p. 146-149).
*60010$aWilson, Anne,$d1949-$vExhibitions.
*650 0$aTextile fabrics$zTennessee$zKnoxville$xExhibition.
*650 0$aWeaving$zUnited States$vExhibitions.
*650 0$aTextile fabrics in art.
*650 0$aTextile industry .
*650 0$aCotton weaving.
*7102 $aKnoxville Museum of Art.
*841 $5Ko$ax a$b140210||0000|||||001||||||000000$e1
*852 $5Ko$bKo$hTEXTIL - Ihcz Wilson, Anne
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Anne Wilson: Wind/Rewind Weave documents an exhibition of the same title organized by the Knoxville Museum of Art and visual artist Anne Wilson to investigate the global crisis of production and skill-based textile labor. This volume includes evocative images of Wilson's pieces on display, as well as beautiful, full-color illustrations of the textiles that provide an almost-tactile experience, photographs of artists at work, and diagrams of how the materials are made. Accompanying these images are essays by Glenn Adamson, Jenni Sorkin, Julia Bryan-Wilson, Philis Alvic, and Laura Y. Liu, which address the history of craft and textile production, while considering how Wilson uses craft and collaboration as potent political metaphors in art.