Mikromarc websearch : Gender, artWork and the global imperative : a materialist feminist critique

Location	KONST - Iaa
Main Entry - Personal Name	Dimitrakaki, Angela,
Title Statement	Gender, artWork and the global imperative : a materialist feminist critique
Publication, Distribution, etc. (Imprint)	Manchester University Press, Manchester : 2013
	2013
	Språk: Engelska.
Dewey Decimal Classification Number	701.03
SAB Classification Code	Iaa
Physical Description	xii, 275 pages illustrations (black and white) 24 cm.
Series Statement	Rethinking art's histories
Series Added Entry - Uniform Title	Rethinking art's histories
Bibliography, etc. Note	Includes bibliographical references (pp. 255-269) and index.
Subject - Chronological Term	1900-talet 2000-talet
Subject - Topical Term	Konst och globalisering Könsroller Kvinnliga konstnärer Konst Art and globalization. Sex role and globalization. Women artists. Art, Modern Art, Modern Resor Feminism Globalisering Politik Kapitalism Journeys Feminism Globalization Politics Capitalism Konst Art Sex role Art and globalization Women artists
ISBN	0719083591 9780719083594
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Is gender implicated in how art does its work, or is defined as work, in global space? Is a global imperative exclusive to capitalism's planetary expansion or does it also animate oppositional practices in art and curating? And what is new in the gendered paradigms of art after the fall of the Berlin Wall, in a persistently divided Europe and elsewhere?

Angela Dimitrakaki addresses these questions in an insightful and highly original analysis of travel as artistic labour, the sexualisation of migration as a relationship between Eastern and Western Europe, the post-documentary aesthetic of the feminist video essay, the rise of female art and curatorial collectives, the spectral re-appearance of the male working class in the museum and globalisation's 'bad boys'. A central aspiration of the book is to demonstrate that contemporary art and theory's turn to labour and economic relations, around 2000, compels a reviewing of feminism's attachment to the cultural subject, practices and methodologies privileged by postmodernism. Artists and collectives discussed in the book include, among others, Marina Abramovic, Ursula Biemann, Tracey Emin, Andrea Fraser, Kuratorisk Action, Lin+Lam, Malmö Free University for Women (MFK), Jenny Marketou, Renzo Martens, Dani Marti, Steve McQueen, Mujeres Públicas, Tanja Ostojic, Ann-Sofi Sidén, Mare Tralla,
WHW and Artur Zmijewski.

This is a theoretically astute overview of key developments in art and its contexts since the 1990s and the first study to attempt a critical refocusing of feminist politics in art history in the wake of globalisation as capitalism's biopolitical arena. It will appeal be essential reading in art history, gender, feminist and globalisation studies, curatorial theory, cultural studies and beyond.

List of illustrationsp. vii
Acknowledgementsp. xi
Introduction

Capital, gender and the work of art: an intervention of, and in, materialist feminismp. 1

Feminist politics and art history: from postmodernism to global capitalismp. 25
'The gender issue': lessons from post-socialist Europep. 71
Travel as (gendered) work: global space, mobility and the 'woman artist'p. 107
Gendered economies and knowledge production: Ursula Biemann's video essays and materialist feminism for the twenty-first centuryp. 151
Masculinity and the economic subject in contemporary artp. 183
Acting on power: critical collectives, curatorial visions and art as lifep. 209
Postscript: what is a feminist beginning?p. 247
Bibliographyp. 255
Indexp. 271