Konstfacks bibliotek

   
Gender, artWork and the global imperative : a materialist feminist critique
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  • Gender, artWork and the global imperative : a materialist feminist critique
Utgivning, distribution etc.
  • Manchester University Press, Manchester : 2013
Utgivningsår
  • 2013
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • xii, 275 pages illustrations (black and white) 24 cm.
Serietitel - ej biuppslagsform
Seriebiuppslag under titel
Anmärkning: Bibliografi etc.
  • Includes bibliographical references (pp. 255-269) and index.
Kronologisk term
  • 1900-talet
  • 2000-talet
Term
ISBN
  • 0719083591
  • 9780719083594
Antal i kö:
  • 0 (0)
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*24510$aGender, artWork and the global imperative :$ba materialist feminist critique /$cAngela Dimitrakaki.
*264 1$aManchester :$bManchester University Press,$c2013
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*4901 $aRethinking art's histories
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*650 0$aArt and globalization.
*650 0$aSex role and globalization.
*650 0$aWomen artists.
*650 0$aArt, Modern$y20th century.
*650 0$aArt, Modern$y21st century.
*650 7$aResor$2kao
*650 7$aFeminism$2kao
*650 7$aGlobalisering$2kao
*650 7$aPolitik$2kao
*650 7$aKapitalism$2kao
*650 7$aJourneys$2kao//eng
*650 7$aFeminism$2kao//eng
*650 7$aGlobalization$2kao//eng
*650 7$aPolitics$2kao//eng
*650 7$aCapitalism$2kao//eng
*650 7$aKonst$y1990-talet$y2000-talet$2kao
*650 7$aArt$y1990s$y21st century$2kao//eng
*650 0$aSex role
*650 0$aArt and globalization
*650 0$aWomen artists
*830 0$aRethinking art's histories
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^
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Is gender implicated in how art does its work in the world created by global capital? Is a global imperative exclusive to capital's planetary expansion or also witnessed in oppositional practices in art and curating? And what is new in the gendered paradigms of art after the fall of the Berlin Wall?

Angela Dimitrakaki addresses these questions in an insightful and highly original analysis of travel as artistic labour, the sexualisation of migration as a relationship between Eastern and Western Europe, the rise of female collectives, masculinity and globalisation's 'bad boys', the emergence of a gendered economic subject that has dethroned postmodernism, and the need for a renewed materialist feminism.

This is a theoretically astute overview of developments in art and its contexts since the 1990s and the first study to attempt a critical refocusing of feminist politics in art history in the wake of globalisation. It will be essential reading in art history, gender, feminist and globalisation studies, curatorial theory, cultural studies and beyond.

  • p. vii
  • p. xi
    • p. 1
  • p. 25
  • p. 71
  • p. 107
  • p. 151
  • p. 183
  • p. 209
  • p. 247
  • p. 255
  • p. 271
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