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Collaboration through craft
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  • DESIGN - Ih:d
Title Statement
  • Collaboration through craft
  • 2013
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • xviii, 257 p. : ill.
Subject - Topical Term
  • 978-0-85785-391-2 (hbk.)
  • 0-85785-391-0 (hbk.)
  • 0-85785-392-9 (pbk.)
  • 978-0-85785-392-9 (pbk.)
  • 0 (0)
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*008130306s2013    enka          000 0 eng c
*015  $aGBB324691$2bnb
*020  $a978-0-85785-391-2 (hbk.)
*020  $a0-85785-391-0 (hbk.)
*020  $a0-85785-392-9 (pbk.)
*020  $a978-0-85785-392-9 (pbk.)
*035  $a(SE-LIBR)14736549
*035  $a(Ko)43441
*040  $aUKMGB$beng$cUKMGB$dOCLCO$dGm
*084  $aIh:d$2kssb/8
*24500$aCollaboration through craft /$cedited by Helen Felcey, Amanda Ravetz, Alice Kettle.
*300  $axviii, 257 p. :$bill.
*599  $aImported from: catalog.wustl.edu:210/INNOPAC (Do not remove)
*650 0$aHandicraft.
*650 0$aArtistic collaboration.
*650 7$aKonsthantverk$xteori, filosofi$2sao
*650 7$aSamarbete$2sao
*650 7$aKonstnärligt skapande$xsociala aspekter$2sao
*650 0$aCooperation
*650 0$aCooperativeness
*7001 $aFelcey, Helen,
*7001 $aRavetz, Amanda,
*7001 $aKettle, Alice,$d1961-
*841  $5Ko$ax  a$b140205||0000|||||001||||||000000$e1
*852  $5Ko$bKo$hDESIGN - Ih:d
*950  $aSamarbetsfrågor$w||e$uSamarbete
*950  $aSamverkan$uSamarbete
*950  $aSocialpsykologi$wg$uSamarbete
*950  $aDatorstött samarbete$wh$uSamarbete
*950  $aInternationellt samarbete$wh$uSamarbete
*950  $aKultursamarbete$wh$uSamarbete
*950  $aMellanfolkligt samarbete$wh$uSamarbete
*950  $wh$aMyndighetssamverkan$uSamarbete
*950  $aRegionalt samarbete$wh$uSamarbete
*950  $aSamarbete mellan privat och offentlig sektor$wh$uSamarbete
*950  $aMedarbetarskap$uSamarbete
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Offering a challenging new argument for the collaborative power of craft, this ground-breaking volume analyses the philosophies, politics and practicalities of collaborative craft work. The book is accessibly organised into four sections covering the cooperation and compromises required by the collaborative process; the potential of recent technological advances for the field of craft; the implications of cross-disciplinary and cross-cultural collaborations for authority and ownership; and the impact of crafted collaborations on the institutions where we work, learn and teach. With cutting-edge essays by established makers and artists such as Allison Smith (US) and Brass Art (UK), curator Lesley Millar, textile designer Trish Belford and distinguished thinker Glenn Adamson, Collaborating Through Craft will be essential reading for students, artists, makers, curators and scholars across a number of fields.

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