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Titel och upphov As it were : 17 asemic stories
Utgivning, distribution etc. Press Rappel ; Lulu, [S. l.] : Raleigh, N.C. : 2010
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Fysisk beskrivning
Anmärkning: Allmän As it were is a collection of seventeen non-verbal compositions that visually explore the story as a form. Considering literary forms, one sees that a poem resides in a shape that is particular to it and inviolable. A novel, however, exists in many pages that all look alike. A story occupies a limited enclosure with a consistent though malleable shape. Each story in this collection uses a different system of generators, each uses its own language. Like drawing, writing is visual and gestural, but with different constraints. Without the force of semantic content holding one's attention in a specific mode to the page, the differences between drawing and writing begin to soften and the act of looking and the act of reading begin to merge.
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ISBN
Antal i kö:
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*260 $a[S. l.] :$bPress Rappel ;$aRaleigh, N.C. :$bLulu,$c2010
*300 $a223 s. :$bill.
*500 $aAs it were is a collection of seventeen non-verbal compositions that visually explore the story as a form. Considering literary forms, one sees that a poem resides in a shape that is particular to it and inviolable. A novel, however, exists in many pages that all look alike. A story occupies a limited enclosure with a consistent though malleable shape. Each story in this collection uses a different system of generators, each uses its own language. Like drawing, writing is visual and gestural, but with different constraints. Without the force of semantic content holding one's attention in a specific mode to the page, the differences between drawing and writing begin to soften and the act of looking and the act of reading begin to merge.
*60014$aAppel , Rosaire
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*852 $hH
^
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"As it were" is a collection of seventeen non-verbal compositions that visually explore the story as a form. Considering literary forms, one sees that a poem resides in a shape that is particular to it and inviolable. A novel, however, exists in many pages that all look alike. A story occupies a limited enclosure with a consistent though malleable shape. Each story in this collection uses a different system of generators, each uses its own language. Like drawing, writing is visual and gestural, but with different constraints. Without the force of semantic content holding one's attention in a specific mode to the page, the differences between drawing and writing begin to soften and the act of looking and the act of reading begin to merge.