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Stages of decay
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  • FOTOGRAFI - Inz Solis, Julia
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Titel och upphov
  • Stages of decay
Utgivning, distribution etc.
  • Prestel, Munich : 2013
Utgivningsår
  • 2013
  • Språk: Engelska.
SAB klassifikationskod
Fysisk beskrivning
  • 159 p. : chiefly illustrations (colour) ; 22 x 27 cm
Personnamn
Term
ISBN
  • 978-3-7913-4819-3 (Cloth)
  • 3-7913-4819-1 (Cloth)
Antal i kö:
  • 0 (0)
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*020  $a978-3-7913-4819-3 (Cloth)
*020  $a3-7913-4819-1 (Cloth)
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*035  $a(Ko)43262
*040  $dNNfCLS$dKo
*084  $aInz Solis, Julia$2kssb/8
*1001 $aSolis, Julia
*24510$aStages of decay /$cJulia Solis ; foreword by Martina Gedeck ; preface by Bryan Papciak
*260  $aMunich :$bPrestel,$c2013
*300  $a159 p. :$bchiefly illustrations (colour) ;$c22 x 27 cm
*599  $aImported from: z3950.lib.umich.edu:210/miu01_pub (Do not remove)
*60014$aSolis, Julia
*650 0$aAuditoriums--United States--Pictorial works.
*650 0$aAbandoned buildings--United States--Pictorial works.
*650 0$aAuditoriums--Europe--Pictorial works.
*650 0$aAbandoned buildings--Europe--Pictorial works.
*650 0$aPhotography.--ukslc
*650 7$aÖvergivna byggnader$vbildverk$2sao
*7001 $aGedeck, Martina$4aui
*7001 $aPapciak, Bryan$4aui
*841  $5Ko$ax  a$b1401134u    8   1001uu   0901128$e4
*852  $5Ko$bKo$hFOTOGRAFI - Inz Solis, Julia
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This unnervingly poetic collection of photographs by Julia Solis depicts the fading glamour of an entire range of international theaters, ranging from the remnants of ornate movie palaces to shabby vaudeville houses. In her influential book New York Underground, Julia Solis explored the iconic landscape beneath Manhattan. In this new and equally inspired work, she takes on another kind of icon--crumbling theaters still standing throughout America and Europe. Using abandoned spaces as both subject and canvas, Solis details the theaters' stages and decorative elements as well as the eerie toll that age and entropy have taken on the formerly elegant surfaces. Where acclaimed performers such as the Marx Brothers, Mae West, Johnny Cash, and the Who once thrilled audiences, Solis now assumes the perspective of the spectator witnessing a different kind of performance. Haunted by the memory of former glory, these locations are sensitively and beautifully captured at a new stage of their existence, one that takes place long after the final curtain has dropped.

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