Hylla
Titel och upphov Japan's modern divide : the photographs of Hiroshi Hamaya and Kansuke Yamamoto
Varianttitel Photographs of Hiroshi Hamaya and Kansuke Yamamoto.
Utgivning, distribution etc. Los Angeles, California : J. Paul Getty Museum, ©2013.
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 224 p. : chiefly ill. (some col.) ; 29 cm.
Anmärkning: Allmän Includes bibliographical references and index. Published on the occasion of an exhibition held at the J. Paul Getty Museum at the Getty Center, Los Angeles, Mar. 26-Aug. 25, 2013.
Anmärkning: Innehåll Innovation in the 1930s: the early works of Hiroshi Hamaya and Kansuke Yamamoto / Kōtarō Iizawa -- Hiroshi Hamaya's snow country: a return to "Japan" / Jonathan M. Reynolds -- The locus of sadness: protesting the new Japan / Judith Keller -- Plates 1-50 Hiroshi Hamaya -- Plates 51-102 Kansuke Yamamoto -- The position of Kansuke Yamamoto: reexamining Japan's modern photography / Ryūichi Kaneko -- Five poems by Kansuke Yamamoto / translated by John Solt -- Disobedient spirit: Kansuke Yamamoto and his engagement with surrealism / Amanda Maddox -- Selected chronology of Hiroshi Hamaya -- Selected chronology of Kansuke Yamamoto. edited by Judith Keller and Amanda Maddox ; with contributions by Kōtarō Iizawa, Ryūichi Kaneko and Jonathan M. Reynolds ; [Dinah Berland, editor].
Anmärkning: Innehållsbeskrivning, sammanfattning This title offers an illustrated overview of the evolution of two very different strains of modern Japanese photography. In the 1930s, Japanese photography evolved in two very directions: one toward a documentary style, the other favouring an experimental, or avant-garde, approach strongly influence by Western Surrealism. This book explores these two divergent paths through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture. He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by Western artists such as Man Ray and Magritte. 0Exhibition: Getty Museum, Los Angeles, USA (26.3.-25.8.2013). 0.
Term
ISBN 1-60606-132-1 978-1-60606-132-9
Antal i kö:
*00006136nam a22010937a 4500
*00138471
*00520140113115334.4
*008130619s2013 cau || 001 | eng|c
*020 $a1-60606-132-1
*020 $a978-1-60606-132-9
*035 $a(SE-LIBR)14182016
*035 $a(Ko)43260
*08204$a779.0922$223
*084 $aInz$2kssb/8 (machine generated)
*24510$aJapan's modern divide :$bthe photographs of Hiroshi Hamaya and Kansuke Yamamoto /$cedited by Judith Keller and Amanda Maddox ; with contributions by Kōtarō Iizawa, Ryūichi Kaneko and Jonathan M. Reynolds ; [Dinah Berland, editor].
*2460 $aPhotographs of Hiroshi Hamaya and Kansuke Yamamoto.
*260 $aLos Angeles, California : J. Paul Getty Museum, ©2013.
*300 $a224 p. : chiefly ill. (some col.) ; 29 cm.
*500 $aIncludes bibliographical references and index.
*500 $aPublished on the occasion of an exhibition held at the J. Paul Getty Museum at the Getty Center, Los Angeles, Mar. 26-Aug. 25, 2013.
*5050 $aInnovation in the 1930s: the early works of Hiroshi Hamaya and Kansuke Yamamoto / Kōtarō Iizawa -- Hiroshi Hamaya's snow country: a return to "Japan" / Jonathan M. Reynolds -- The locus of sadness: protesting the new Japan / Judith Keller -- Plates 1-50 Hiroshi Hamaya -- Plates 51-102 Kansuke Yamamoto -- The position of Kansuke Yamamoto: reexamining Japan's modern photography / Ryūichi Kaneko -- Five poems by Kansuke Yamamoto / translated by John Solt -- Disobedient spirit: Kansuke Yamamoto and his engagement with surrealism / Amanda Maddox -- Selected chronology of Hiroshi Hamaya -- Selected chronology of Kansuke Yamamoto.
*5058 $aedited by Judith Keller and Amanda Maddox ; with contributions by Kōtarō Iizawa, Ryūichi Kaneko and Jonathan M. Reynolds ; [Dinah Berland, editor].
*520 $aThis title offers an illustrated overview of the evolution of two very different strains of modern Japanese photography. In the 1930s, Japanese photography evolved in two very directions: one toward a documentary style, the other favouring an experimental, or avant-garde, approach strongly influence by Western Surrealism. This book explores these two divergent paths through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture. He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by Western artists such as Man Ray and Magritte. 0Exhibition: Getty Museum, Los Angeles, USA (26.3.-25.8.2013). 0.
*599 $aDawson
*650 0$aPhotography, Artistic$vExhibitions.
*650 4$aHamaya, Hiroshi -- 1915-1999 -- Exhibitions
*650 4$aJapan -- Social life and customs -- 20th century -- Pictorial works -- Exhibitions
*650 4$aPhotography -- Japan -- History -- 20th century -- Exhibitions
*650 4$aPhotography, Artistic -- History -- 20th century -- Exhibitions
*650 4$aYamamoto, Kansuke -- 1914-1987 -- Exhibitions
*65007$aFotografi$2sao
*65007$aFotografi$vutställning$2sao
*65007$aFotografi$zJapan$y20-talet$vbildverk$2sao
*650 0$aPhotography
*7001 $aBerland, Dinah,$4edt$d1941-
*7001 $aHamaya, Hiroshi,$4oth$d1915-1999
*7001 $aIizawa, Kōtarō 1954-$4oth
*7000 $aJ. Paul Getty Museum$4oth
*7001 $aKaneko, Ryūichi,$4oth$d1948-
*7001 $aKeller, Judith$4edt
*7001 $aMaddox, Amanda$4edt
*841 $5Ko$ax a$b131206||0000|||||001||||||000000$e1
*852 $5Ko$bKo$hFOTOGRAFI - Inb-o
*950 $aFoto$uFotografi
*950 $aAmatörfotografi$wh$uFotografi
*950 $aArkitekturfotografi$wh$uFotografi
*950 $aAteljéfotografi$wh$uFotografi
*950 $aBildkomposition (fotografi)$wh$uFotografi
*950 $aCyanotypi$wh$uFotografi
*950 $aDigital fotografi$wh$uFotografi
*950 $aDokumentärfotografi$wh$uFotografi
*950 $aErotisk fotografi$wh$uFotografi
*950 $aFlygfotografi$wh$uFotografi
*950 $aFotocollage$wh$uFotografi
*950 $aFotografi och litteratur$wh$uFotografi
*950 $aFotografi som propaganda$wh$uFotografi
*950 $aFotojournalistik$wh$uFotografi
*950 $aFotokonst$wh$uFotografi
*950 $aFotomontage$wh$uFotografi
*950 $aFototeknik$wh$uFotografi
*950 $aFototävlingar$wh$uFotografi
*950 $aFågelfotografi$wh$uFotografi
*950 $aFärgfotografi$wh$uFotografi
*950 $aGatufotografi$wh$uFotografi
*950 $aHålkamerafotografi$wh$uFotografi
*950 $aIscensatt fotografi$wh$uFotografi
*950 $aKalotypi$wh$uFotografi
*950 $wh$aKirlianfotografi$uFotografi
*950 $aKriminaltekniskt fotografi$wh$uFotografi
*950 $aLandskapsfotografi$wh$uFotografi
*950 $aModefotografi$wh$uFotografi
*950 $aNakenfotografi$wh$uFotografi
*950 $aNaturfotografi$wh$uFotografi
*950 $aNärbildsfotografi$wh$uFotografi
*950 $aPanoramafotografi$wh$uFotografi
*950 $aPolaroidfotografi$wh$uFotografi
*950 $aPorträttfotografi$wh$uFotografi
*950 $aPressfotografi$wh$uFotografi
*950 $aReklamfotografi$wh$uFotografi
*950 $aReportagefotografi$wh$uFotografi
*950 $aSnapshot (fotografi)$wh$uFotografi
*950 $aSportfotografi$wh$uFotografi
*950 $aStereofotografi$wh$uFotografi
*950 $wh$aSvartvitt fotografi$uFotografi
*950 $aTeaterfotografi$wh$uFotografi
*950 $aTeknisk fotografi$wh$uFotografi
*950 $aTelefotografi$wh$uFotografi
*950 $aUndervattensfotografi$wh$uFotografi
*950 $aVetenskaplig fotografi$wh$uFotografi
*950 $aVäxtfotografi$wh$uFotografi
*950 $aFotografisamlingar$uFotografi
*950 $aKonst$uFotografi
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
In the 1930s the history of Japanese photography evolved in two very different directions: one toward documentary photography, the other favoring an experimental, or avant-garde, approach strongly influenced by Western Surrealism. This book explores these two strains of modern Japanese photography through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto.
Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture on the coast of the Sea of Japan. In 1940 he began photographing the New Year's rituals in a remote village, which was published as Yukiguni (Snow country). He went on to record cultural changes in China, political protests in Japan, and landscapes around the world.
Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by such Western artists as Man Ray, René Magritte, and Yves Tanguy. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photographs.
Along with essays by the book's coeditors, Judith Keller and Amanda Maddox, are essays by Kotaro Iizawa, Ryuichi Kaneko, and Jonathan M. Reynolds, life chronologies, and a selection of poems by Yamamoto translated by John Solt. This book, which features more than one hundred images, accompanies an exhibition of the same name on view at the J. Paul Getty Museum from March 26 to August 25, 2013.