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The archive effect : found footage and the audiovisual experience of history
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  • FILM - Im
Main Entry - Personal Name
Title Statement
  • The archive effect : found footage and the audiovisual experience of history
Publication, Distribution, etc. (Imprint)
  • Routledge, London ; New York : 2013
  • 2013
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • 187 s. : ill. ; 23 cm
Bibliography, etc. Note
  • Includes bibliographical references and index.
Formatted Contents Note
  • Introduction: history, the archive, and the appropriation of the indexical document -- The archive effect: appropriation and the experience of textual difference -- Archival fabrications: simulating, manipulating, misusing, and debunking the found document -- Archival voyeurism: home mode appropriations and the public spectacle of private life -- The archive affect: the archival fragment and the production of historical "presence" -- The digital archive effect: historiographies and histories for the digital era -- Conclusion: the audiovisual experience of history and beyond.
Subject - Topical Term
ISBN
  • 978-0-415-66072-3 (hardback)
  • 978-0-415-66073-0 (pbk.)
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*1001 $aBaron, Jaimie
*24514$aThe archive effect :$bfound footage and the audiovisual experience of history /$cby Jaimie Baron
*260  $aLondon ;$aNew York :$bRoutledge,$c2013
*300  $a187 s. :$bill. ;$c23 cm
*504  $aIncludes bibliographical references and index.
*5050 $aIntroduction: history, the archive, and the appropriation of the indexical document -- The archive effect: appropriation and the experience of textual difference -- Archival fabrications: simulating, manipulating, misusing, and debunking the found document -- Archival voyeurism: home mode appropriations and the public spectacle of private life -- The archive affect: the archival fragment and the production of historical "presence" -- The digital archive effect: historiographies and histories for the digital era -- Conclusion: the audiovisual experience of history and beyond.
*599  $aImported from: lx2.loc.gov:210/LCDB (Do not remove)
*599  $aDawson
*650 7$aDokumentärfilm$xteori, filosofi$2sao
*650 7$aArkivmaterial i filmen$2sao
*650 0$aMotion pictures and history.
*650 0$aMotion pictures$xInfluence.
*650 0$aBroadcasting archives.
*650 0$aStock footage.
*650 0$aArchival materials.
*650 0$aExperimental films$xHistory and criticism.
*650 0$aContext effects (Psychology)
*650 0$aTime in motion pictures.
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*852  $5Ko$bKo$hFILM - Im
^
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The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer¿s experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the ¿archive effect¿ as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history.

The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig , Forrest Gump and JFK , mockumentaries such as The Blair Witch Project and Forgotten Silver , documentaries like Standard Operating Procedure and Grizzly Man , and videogames like Call of Duty: World at War . In addition, she examines the works of many experimental filmmakers including those of P¿r Forg¿, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.

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 Recalled13.09.2023Konstfacks bibliotek FILM - Im