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Titel och upphov From head to hand : art and the manual
Utgivning, distribution etc. Oxford University Press, New York : 2010
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning x, 211 s. : ill. ; 22 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references and index
Anmärkning: Innehåll From hand to head and back again : some lines for Martin Puryear -- Sculpture & sanctuary : Ursula Von Rydingsvard -- Laborare est Orare -- Reanimating matter : Raoul Hague & Robert Frank -- Beuys in Ireland -- Between two worlds : the Haida Project -- Reverie and luck, incarnate -- The memory of the fingers -- In praise of darkness -- Why move on from illuminations that haven't yet been understood? -- Her plumbing and her bridges, in sweet assemblage -- Signal to noise -- The fighting is a dance, too : Leon Golub and Nancy Spero -- Fallen figures and heads -- Remembering Golub -- Spero's heart -- Hosephat and the wooden shoes : Robert Duncan and Délire -- Radial asymmetries : on Guy Davenport -- The bias of the world : curating after Szeemann and Hopps -- Father and daughter : flesh -- It has to be danced to be known : on Leo Steinberg.
Term
ISBN 978-0-19-539122-0 (cloth : alk. paper) 0-19-539122-5 (cloth : alk. paper)
Antal i kö:
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*504 $aIncludes bibliographical references and index
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*650 0$aArt$xPsychology
*650 0$aCreation (Literary, artistic, etc.)
*650 0$aMind and body
*650 7$aKonstpsykologi$2sao
*650 7$aKonstnärligt skapande$xpsykologiska aspekter$2sao
*650 7$aKropp och själ$2sao
*650 0$aArt - Psychology
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*950 $aPsykologi$wg$uKonstpsykologi
^
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How does a vision - an image in the mind, in the imagination - get from the head to the hand, and out into the world? The passage can take a lifetime or happen almost instantaneously in the works of painters and sculptors. In this concise, pithy study, art critic David Levi Strauss makes an argument for the continued relevance of art made by hand. A wide variety of examples are under consideration: the works of individual sculptors and painters; 'exotic' practitioners, such as the West coast Haida and the poet Cecilia Vicuna; curatorial figures and critical thinkers; the distinction between labor and poetics, and more. The author's core concern is an ongoing inquiry into the relation of art-making to the present cultural and political ethos, which Strauss asserts as a necessary connection. This larger claim is kept in focus by the specificity of his accounts, an often remarkable tracing of fact, response, perception, and thought. Strauss' resistance to (intellectual and aesthetic) fashion makes for a rewarding exchange between aesthetic theory, art historical knowledge, and independent thought.
Preface p. ix From Head to Hand and Back Again: Some Lines for Martin Puryear p. 1 Sculpture and Sanctuary: Ursula von Rydingsvard p. 9 Laborare Est Orare p. 19 Reanimating Matter: Raoul Hague and Robert Frank p. 23 Beuys in Ireland p. 33 Between Two Worlds: The Haida Project p. 39 The Memory of the Fingers p. 55 Reverie and Luck, Incarnate p. 61 In Praise of Darkness p. 67 Why Move On from Illuminations That Haven't Yet Been Understood? p. 71 Her Plumbing and Her Bridges, in Sweet Assemblage p. 77 Signal to Noise p. 87 The Fighting Is a Dance, Too: Leon Golub and Nancy Spero p. 97 Fallen Figures and Heads p. 105 Remembering Golub p. 115 Spero's Heart p. 119 Hosephat and the Wooden Shoes: Robert Duncan and Délire p. 123 Radial Asymmetries: On Guy Davenport p. 135 The Bias of the World: Curating after Szeemann and Hopps p. 149 Father and Daughter: Flesh p. 161 It Has to Be Danced to Be Known: On Leo Steinberg p. 167 Acknowledgments p. 185 Notes p. 189 Index p. 203