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Titel och upphov From head to hand : art and the manual
Utgivning, distribution etc. Oxford University Press, New York : 2010
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning x, 211 s. : ill. ; 22 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references and index
Anmärkning: Innehåll From hand to head and back again : some lines for Martin Puryear -- Sculpture & sanctuary : Ursula Von Rydingsvard -- Laborare est Orare -- Reanimating matter : Raoul Hague & Robert Frank -- Beuys in Ireland -- Between two worlds : the Haida Project -- Reverie and luck, incarnate -- The memory of the fingers -- In praise of darkness -- Why move on from illuminations that haven't yet been understood? -- Her plumbing and her bridges, in sweet assemblage -- Signal to noise -- The fighting is a dance, too : Leon Golub and Nancy Spero -- Fallen figures and heads -- Remembering Golub -- Spero's heart -- Hosephat and the wooden shoes : Robert Duncan and Délire -- Radial asymmetries : on Guy Davenport -- The bias of the world : curating after Szeemann and Hopps -- Father and daughter : flesh -- It has to be danced to be known : on Leo Steinberg.
Term
ISBN 978-0-19-539122-0 (cloth : alk. paper) 0-19-539122-5 (cloth : alk. paper)
Antal i kö:
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*1001 $aStrauss, David Levi
*24510$aFrom head to hand :$bart and the manual /$cDavid Levi Strauss
*260 $aNew York :$bOxford University Press,$c2010
*300 $ax, 211 s. :$bill. ;$c22 cm.
*504 $aIncludes bibliographical references and index
*5050 $aFrom hand to head and back again : some lines for Martin Puryear -- Sculpture & sanctuary : Ursula Von Rydingsvard -- Laborare est Orare -- Reanimating matter : Raoul Hague & Robert Frank -- Beuys in Ireland -- Between two worlds : the Haida Project -- Reverie and luck, incarnate -- The memory of the fingers -- In praise of darkness -- Why move on from illuminations that haven't yet been understood? -- Her plumbing and her bridges, in sweet assemblage -- Signal to noise -- The fighting is a dance, too : Leon Golub and Nancy Spero -- Fallen figures and heads -- Remembering Golub -- Spero's heart -- Hosephat and the wooden shoes : Robert Duncan and Délire -- Radial asymmetries : on Guy Davenport -- The bias of the world : curating after Szeemann and Hopps -- Father and daughter : flesh -- It has to be danced to be known : on Leo Steinberg.
*650 0$aArt$xPsychology
*650 0$aCreation (Literary, artistic, etc.)
*650 0$aMind and body
*650 7$aKonstpsykologi$2sao
*650 7$aKonstnärligt skapande$xpsykologiska aspekter$2sao
*650 7$aKropp och själ$2sao
*650 0$aArt - Psychology
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*950 $aPsykofysiologi$uKropp och själ
*950 $wh$aBiofeedback-träning$uKropp och själ
*950 $aPsykologi$wg$uKonstpsykologi
^
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In his third book, Strauss delves into the mysterious process whereby an idea is born in the mind and materialized through the hand in the expression of an artwork. How exactly does this happen? It's a question so basic, an act so fundamental to art-making, that it has rarely received attention. It makes an ideal topic for Strauss, a writer with an exceptional ability to animate art's philosophical dimensions in a clear, persuasive manner. During this time when craft and the direct manipulation of materials by the artist appear to be in eclipse, Strauss comes to their defense in a spirited cri de coeur.
Preface p. ix From Head to Hand and Back Again: Some Lines for Martin Puryear p. 1 Sculpture and Sanctuary: Ursula von Rydingsvard p. 9 Laborare Est Orare p. 19 Reanimating Matter: Raoul Hague and Robert Frank p. 23 Beuys in Ireland p. 33 Between Two Worlds: The Haida Project p. 39 The Memory of the Fingers p. 55 Reverie and Luck, Incarnate p. 61 In Praise of Darkness p. 67 Why Move On from Illuminations That Haven't Yet Been Understood? p. 71 Her Plumbing and Her Bridges, in Sweet Assemblage p. 77 Signal to Noise p. 87 The Fighting Is a Dance, Too: Leon Golub and Nancy Spero p. 97 Fallen Figures and Heads p. 105 Remembering Golub p. 115 Spero's Heart p. 119 Hosephat and the Wooden Shoes: Robert Duncan and Délire p. 123 Radial Asymmetries: On Guy Davenport p. 135 The Bias of the World: Curating after Szeemann and Hopps p. 149 Father and Daughter: Flesh p. 161 It Has to Be Danced to Be Known: On Leo Steinberg p. 167 Acknowledgments p. 185 Notes p. 189 Index p. 203