Konstfacks bibliotek

   
Inventing abstraction 1910-1925 : how a radical idea changed modern art
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  • KONST - Ib.5
Titel och upphov
  • Inventing abstraction 1910-1925 : how a radical idea changed modern art
Utgivning, distribution etc.
  • Thames & Hudson Ltd. ; Museum of Modern Art, London : New York : 2012
Utgivningsår
  • 2012
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 375 pages (4 folded) : illustrations (black and white, and colour) ; 32 cm
Anmärkning: Allmän
  • Published to accompany the exhibition of the same name held at the Museum of Modern Art, New York, 23rd December 2012 - 15th April 2013.
  • Text on lining papers.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • 'Inventing Abstraction' explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstraction's early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way.
Kronologisk term
  • 1910-talet
  • 1920-talet
Term
Institutionsnamn
ISBN
  • 978-0-500-23902-5 (hbk.)
Antal i kö:
  • 0 (0)
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*300  $a375 pages (4 folded) :$billustrations (black and white, and colour) ;$c32 cm
*500  $aPublished to accompany the exhibition of the same name held at the Museum of Modern Art, New York, 23rd December 2012 - 15th April 2013.
*500  $aText on lining papers.
*504  $aIncludes bibliographical references and index.
*5208 $a'Inventing Abstraction' explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstraction's early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way.
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*650 0$aArt - Exhibitions
*650 0$aArt, Abstract
*650 0$aPainting, Abstract
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*950  $aAbstrakt målarkonst$uAbstrakt konst
*950  $aKonkret konst$uAbstrakt konst
*950  $aAbstrakt expressionism$wh$uAbstrakt konst
*950  $aColour field painting$wh$uAbstrakt konst
*950  $aKonkretism$wh$uAbstrakt konst
*950  $aMinimalism$wh$uAbstrakt konst
*950  $aSuprematism$wh$uAbstrakt konst
*950  $aVorticism$wh$uAbstrakt konst
^
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Inventing Abstraction 1910-1925 explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstraction's early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstraction's first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinsky's ambitious Compositions V, VI and VII; a selection of Piet Mondrian's work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark '0.10' exhibition in 1915.

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