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Titel och upphov The forbidden image : an intellectual history of iconoclasm
Utgivning, distribution etc. Univ. of Chicago Press, Chicago : 2000
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Fysisk beskrivning viii, 423 s., [16] pl.-s.
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Automatiskt genererade ämnesord (BURK) Kyrkohistoria Historia Vetenskapshistoria Religion Religionshistoria Troslära Trosbekännelse
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Antal i kö:
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Philosophers and theologians have long engaged in intense debate and introspection over the representation of the deity, its possibilities and its proscriptions. The Forbidden Image traces the dual strains of "iconophilia" and iconoclasm, the privileging and prohibition of religious images, over a span of two and a half millennia in the West.
Alain Besançon's work begins with a comprehensive examination of the status of the image in Greek, Judaic, Islamic, and Christian thought. The author then addresses arguments regarding the moral authority of the image in European Christianity from the medieval through the early modern periods. Besançon completes The Forbidden Image with an examination of how iconophilia and iconoclasm have been debated in the modern period.
"Even the reader who has heard something of the Byzantine quarrels about images and their theological background will be surprised by a learned and convincing interpretation of the works of Mondrian, Kandinsky, and Malevich in terms of religiously inspired iconoclasm. . . . This is an immensely rich and powerful masterpiece."--Leszek Kolakowski, Times Literary Supplement
Introduction Iconoclasm: The Ancient Cycle The Philosophical Critique of the Image Preliminaries: "Civil Theology" Early Philosophy Late Philosophy The Persistence of the Pagan Image The Biblical Prohibition The Prohibition of the Torah The Jewish and Muslim Interpretations In the Image and Likeness The Image of God: Four Church Fathers The Image in Dispute The Production of Christian Images The Icon and Dogma Iconoclasm:Pro et Contra The Icon Pax Romana of the Image The Middle Ages The Letter to Serenus TheCarolini Libri Relics Bernard and Dionysius Bonaventura Thomas Aquinas The Renaissance and the Baroque Period The Affirmation of Art and of the Artist The Support of Ancient Gods Around Trent The Crescentia Affair The Image in Celebration Iconoclasm: The Modern Cycle The New Theology of the Image Three Iconoclasts Hegel: Nostalgia for the Image The New Theology at Work The French Exception in the Nineteenth Century Nineteenth-Century Religious Art Symbolist Religiosity The Russian Revolution Russia's Aesthetic Education The Spiritual: Kandinsky The Supreme: Malevich Conclusion Notes Index