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Distributed objects : meaning and mattering after Alfred Gell
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  • KONST - Iaa
Title Statement
  • Distributed objects : meaning and mattering after Alfred Gell
Publication, Distribution, etc. (Imprint)
  • Berghahn, New York : 2013
  • 2013
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • x, 220 p. : ill. ; 24 cm.
Bibliography, etc. Note
  • Includes bibliographical references and index.
Subject - Personal Name
Subject - Topical Term
  • 978-0-85745-744-8 (hardback : alk. paper)
  • 0 (0)
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*020  $a978-0-85745-744-8 (hardback : alk. paper)
*035  $a(SE-LIBR)14672831
*035  $a(Ko)43101
*040  $aDLC$cDLC$dEmb
*042  $apcc
*05000$aN72.A56$bD57 2013
*084  $aIaa$2kssb/8 (machine generated)
*24500$aDistributed objects :$bmeaning and mattering after Alfred Gell /$cedited by Liana Chua and Mark Elliott
*260  $aNew York :$bBerghahn,$c2013
*300  $ax, 220 p. :$bill. ;$c24 cm.
*504  $aIncludes bibliographical references and index.
*599  $aImported from: lx2.loc.gov:210/LCDB (Do not remove)
*60010$aGell, Alfred.
*650 0$aArt and anthropology.
*650 0$aArt and society.
*650 0$aCreative ability.
*650 7$aKonst och antropologi$2sao
*650 7$aKonst och samhälle$2sao
*650 0$aArt and society
*7001 $aChua, Liana.
*7001 $aElliott, Mark.
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*852  $5Ko$bKo$hKONST - Iaa
*950  $aSamhälle och konst$uKonst och samhälle
*950  $aArkitektur och samhälle$wh$uKonst och samhälle
*950  $aKonst och politik$wh$uKonst och samhälle
*950  $aKonstpolitik$uKonst och samhälle
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One of the most influential anthropological works of the last two decades, Alfred Gell's Art and Agency is a provocative and ambitious work that both challenged and reshaped anthropological understandings of art, agency, creativity and the social. It has become a touchstone in contemporary artifact-based scholarship. This volume brings together leading anthropologists, archaeologists, art historians and other scholars into an interdisciplinary dialogue with Art and Agency, generating a timely re-engagement with the themes, issues and arguments at the heart of Gell's work, which remains salient, and controversial, in the social sciences and humanities. Extending his theory into new territory - from music to literary technology and ontology to technological change - the contributors do not simply take stock, but also provoke, critically reassessing this important work while using it to challenge conceptual and disciplinary boundaries.

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