Location KONST - Ibz Bourgeois, Louise
Main Entry - Personal Name
Title Statement Fantastic reality : Louise Bourgeois and a story of modern art
Publication, Distribution, etc. (Imprint) MIT Press, Cambridge, Mass. : 2005.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
Series Statement
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Subject - Personal Name
Subject - Topical Term
ISBN
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*00138169
*00520130928065353.2
*008040927s2005 xxu|||| | |00| 0beng c
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*084 $aIbz Bourgeois, Louise$2kssb/7
*1001 $aNixon, Mignon
*24510$aFantastic reality :$bLouise Bourgeois and a story of modern art /$cMignon Nixon.
*260 $aCambridge, Mass. :$bMIT Press,$c2005.
*300 $a338 p. :$bill.
*4900 $aAn October book
*500 $aIncludes index.
*60014$aBourgeois, Louise, $d1911-2010
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*650 7$aKonstvetenskap$xpsykoanalys$2kao
*650 7$aSkulptörer$2kao
*650 7$aFeminism$2kao
*650 7$aFeminism och konst$2sao
*650 7$aPsykoanalys och konst$2sao$0https://id.kb.se/term/sao/Psykoanalys%20och%20konst
*650 0$aFeminism and art.
*650 0$aPsychoanalysis and art.
*650 0$aFeminism and art
*650 0$aPsychoanalysis and art
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*852 $5Ko$bKo$hKONST - Ibz Bourgeois, Louise
*950 $aKonst och feminism$uFeminism och konst
*950 $aKonst$wg$uFeminism och konst
*950 $aKonst och psykoanalys$uPsykoanalys och konst
*950 $aPsykoanalys$wg$uPsykoanalys och konst
*950 $aKonst$wg$uPsykoanalys och konst
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The art of Louise Bourgeois stages a dynamic encounter between modern art and psychoanalysis, argues Mignon Nixon in the first full-scale critical study of the artist's work. A pivotal figure in twentieth-century art, Louise Bourgeois (b. 1911, France) emigrated to New York in 1938 and is still actively working and exhibiting today. From Bourgeois's formative struggle with the father figures of surrealism, including Andre Breton and Marcel Duchamp, to her galvanising role in the feminist art movement of the 1970s, to her subsequent emergence as a leading voice in postmodernism, this book explores the artist's responses to war, dislocation, and motherhood, to the predicament of the woman artist and the politics of sexual and social liberation, as a dialogue with psychoanalysis. Convinced that she could express deeper things in three dimensions, Bourgeois abandoned painting for sculpture in the 1940s,
Acknowledgments p. ix Introduction p. 1 Discipleship: Deference and Difference p. 13 Femme Maison (Woman House): What's So Funny about Fetishism? p. 53 He Disappeared into Complete Silence: Phantastic Reality p. 83 Personages: The Work of Mourning p. 119 Double Negative: The Death Drive Turned against Death p. 165 Femme Couteau (Knife Woman): Art Objects as Part-Objects p. 209 Epilogue: Spider p. 267 Notes p. 277 Index p. 325