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Bodies of modernity : figure and flesh in fin-de-siècle France
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  • KONST - Ibvz Människokroppen
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Title Statement
  • Bodies of modernity : figure and flesh in fin-de-siècle France
Publication, Distribution, etc. (Imprint)
  • Thames & Hudson, London : cop. 1998
  • 1998
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • 240 s. : ill.
Series Statement
Subject - Topical Term
Subject - Geographic Name
Subject - SAB Headings
  • Konst Konsthistoria Motiv
  • Konst Konsthistoria Frankrike Nya Tiden
ISBN
  • 0-500-28049-5 (pbk) ;
Waiting
  • 0 (0)
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*020  $a0-500-28049-5 (pbk) ;$c£14.95 : CIP entry (Jun.)
*035  $a(SE-LIBR)4996612
*035  $a(Ko)42826
*040  $aS
*042  $9KVIN
*082  $a306.4$221
*084  $aIbvz Människokroppen$2kssb/6
*084  $aIb-j.47$2kssb/6
*1001 $aGarb, Tamar
*24500$aBodies of modernity :$bfigure and flesh in fin-de-siècle France /$cTamar Garb
*260  $aLondon :$bThames & Hudson,$ccop. 1998
*300  $a240 s. :$bill.
*4900 $aInterplay : arts, history, theory
*650 7$aBody, Human$xSocial aspects$xHistory$y19th century$2BNB
*650 7$aMänniskokroppen i konsten$2sao
*650 7$aKonsthistoria$xFrankrike$z1890-1914$2sao
*650 7$aKroppsuppfattning$zFrankrike$y1870-talet$y1880-talet$y1890-talet$2sao
*650 7$aKropp$2kao
*650 7$aBilder$2kao
*650 7$aMansbilden$2kao
*650 7$aKvinnobilden$2kao
*650 7$aSkönhetsideal$2kao
*650 7$aGenus$2kao
*650 7$aManlighet$2kao
*650 7$aKvinnlighet$2kao
*650 7$aFotografi$2kao
*650 7$a1800-talet$2kao
*650 7$aFrankrike$2kao
*650 7$aKonstvetenskap$2kao
*650 0$aHuman figure in art
*651 4$aFrance$xSocial life and customs$y19th century
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*852  $5Ko$bKo$hKONST - Ibvz Människokroppen
*950  $aMänniskokroppen$xmotiv i konsten$uMänniskokroppen i konsten
*950  $aKroppen i konsten$uMänniskokroppen i konsten
*950  $aKontrapost$wh$uMänniskokroppen i konsten
*976 2$aIbvz$bKonst Konsthistoria Motiv
*976 2$aIb-j.47$bKonst Konsthistoria Frankrike Nya Tiden
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Thought to be unequivocally different from one another, modern men and women were expected to express their sexuality and social positions in the clothes they wore, the poses they struck, and the behavior they exhibited. In a series of case studies, Bodies of Modernity looks at works by Cezanne, Renoir, Seurat, Tissot, and Caillebotte as well as photographs of male body builders to establish an image of the modern body. Well-known works such as Renoir's Nude in the Sunlight, Seurat's Young Woman Powdering Herself, and Cezanne's Large Bathers are given new interpretations, while lesser known paintings like Tissot's series on The Women of Paris or Caillebotte's iconoclastic Man at the Bath are looked at seriously for the first time.Bodies of Modernity is an original account of one of the best-loved periods in Western art history. By taking "figure and flesh" as its focus, it bypasses traditional art historical categories and style labels to provide a reading of the work of the Impressionists and their contemporaries that gets to the heart of French society of the period.

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