Hylla TEXTIL - Ihkz Yamamoto, Yohji
Personnamn
Titel och upphov Yohji Yamamoto : my dear bomb
Varianttitel
Utgivning, distribution etc.
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references.
Personnamn
Term
ISBN 978-90-5544-979-8 90-5544-979-2
Antal i kö:
*00001151nam a22003617a 4500
*00138130
*00520130903065352.2
*008100511s2010 be a 000 0|eng c
*020 $a978-90-5544-979-8
*020 $a90-5544-979-2
*035 $a(SE-LIBR)12138258
*035 $a(Ko)42803
*040 $aBP1$beng$cBP1$dYDXCP$dAMH$dHib
*043 $aa-ja---
*050 4$aGT500-2370
*082 $a746.92092$222
*084 $aIhk$2kssb/8 (machine generated)
*1001 $aYamamoto, Yohji,$d1943-
*24510$aYohji Yamamoto :$bmy dear bomb /$ctext by Yohji Yamamoto & Ai Mitsuda ; translation, James Dorsey.
*24630$aMy dear bomb
*260 $aAntwerpen :$bLudion$c2010.
*300 $a191 p. :$bill. ;$c22 cm.
*504 $aIncludes bibliographical references.
*599 $aDawson
*60014$aYamamoto, Yohji,$d1943-
*650 0$aFashion designers$zJapan$vBiography.
*650 7$aModedesigner$zJapan$2sao
*7001 $aMitsuda, Ai$4aut
*7001 $aDorsey, James$4trl
*841 $5Ko$ax a$b1309024u 8 1001uu 0901128$e4
*852 $5Ko$bKo$hTEXTIL - Ihkz Yamamoto, Yohji
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Yohji Yamamoto led the Japanese fashion wave of the 1980s and 1990s into the new millennium. In October 2009, after a series of bad investments, Yamamoto Inc. went bankrupt; by the end of that year the designer had inaugurated a new business and a complete reevaluation of his direction. My Dear Bomb is an outcome of this transition moment. Coauthored with Ai Mitsuda, this carefully and beautifully written autobiography (with biographical interpolations by friends and collaborators) seamlessly combines extended meditations on clothing and life with Yamamoto's memories and anecdotes, in short, concise paragraphs. Throughout its pages, we encounter Yamamoto as a tough realist unburdened by disingenuousness ("I am, in fact, a man who may turn heartless in an instant; I desire only to settle each and every score immediately"); and, of course, as a great designer blessed with unerring instinct for his materials ("how does the cloth want to drape, to sway, to fall? If one keeps these things in mind and looks very carefully, the fabric itself begins to speak"). Illustrated with drawings by Yamamoto, this open-hearted meditation offers a take on the autobiography form as imaginative as the designer's fashion wear.