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Disgust : the theory and history of a strong sensation
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Title Statement
  • Disgust : the theory and history of a strong sensation
Uniform Title
  • Ekel. English
Publication, Distribution, etc. (Imprint)
  • State University of New York Press, Albany : 2003.
  • 2003
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • 471 s.
Series Statement
Series Added Entry - Uniform Title
Bibliography, etc. Note
  • Includes bibliographical references (p. ) and index.
Subject - Topical Term
ISBN
  • 0-7914-5831-8 (alk. paper)
  • 0-7914-5832-6 (pbk. : alk. paper)
  • 978-0-7914-5832-7
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*24510$aDisgust :$bthe theory and history of a strong sensation /$cWinfried Menninghaus ; translated by Howard Eiland and Joel Golb.
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*4901 $aIntersections
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*650 0$aAversion.
*650 0$aAesthetics, Modern.
*830 0$aIntersections (Albany, N.Y.)
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Disgust (Ekel, dégoût) is a state of high alert. It acutely says "no" to a variety of phenomena that seemingly threaten the integrity of the self, if not its very existence. A counterpart to the feelings of appetite, desire, and love, it allows at the same time for an acting out of hidden impulses and libidinal drives.



In Disgust, Winfried Menninghaus provides a comprehensive account of the significance of this forceful emotion in philosophy, aesthetics, literature, the arts, psychoanalysis, and theory of culture from the eighteenth century to the present. Topics addressed include the role of disgust as both a cognitive and moral organon in Kant and Nietzsche; the history of the imagination of the rotting corpse; the counter-cathexis of the disgusting in Romantic poetics and its modernist appeal ever since; the affinities of disgust and laughter and the analogies of vomiting and writing; the foundation of Freudian psychoanalysis in a theory of disgusting pleasures and practices; the association of disgusting "otherness" with truth and the trans-symbolic "real" in Bataille, Sartre, and Kristeva; Kafka's self-representation as an "Angel" of disgusting smells and acts, concealed in a writerly stance of uncompromising "purity"; and recent debates on "Abject Art."

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