Konstfacks bibliotek

   
The sacred cause : the Europe that was lost : thoughts on central and eastern European modernism
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  • KONST - Ib.5
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Titel och upphov
  • The sacred cause : the Europe that was lost : thoughts on central and eastern European modernism
Uniform titel
  • Ett svunnet Europa. Engelska
Utgivning, distribution etc.
  • Peter Lang, New York : 2013
Utgivningsår
  • 2013
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Upplaga
  • 1 [edition].
Fysisk beskrivning
  • 534 s. :
Anmärkning: Allmän
  • "This book was originally published in Swedish under the title "Ett svunnet Europa. Om modernismens glömda rötter", Brutus Östlings Bokförlag Symposion, Stockholm 2009."
Anmärkning: Bibliografi etc.
  • Includes bibliographical references.
Term
ISBN
  • 978-3-631-64037-1
Antal i kö:
  • 0 (0)
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*020  $a978-3-631-64037-1
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*035  $a(Ko)42313
*040  $aDLC$beng$cDLC$erda$dKo
*0411 $aeng$hswe
*042  $apcc
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*1001 $aSandqvist, Tom,$d1954-
*24014$aEtt svunnet Europa.$lEngelska
*24514$aThe sacred cause :$bthe Europe that was lost : thoughts on central and eastern European modernism /$cTom Sandqvist
*250  $a1 [edition].
*260  $aNew York :$bPeter Lang,$c2013
*300  $a534 s. :
*500  $a"This book was originally published in Swedish under the title "Ett svunnet Europa. Om modernismens glömda rötter", Brutus Östlings Bokförlag Symposion, Stockholm 2009."
*504  $aIncludes bibliographical references.
*650 0$aModernism (Art)$zEurope, Central$xThemes, motives.
*650 0$aModernism (Art)$zEurope, Eastern$xThemes, motives.
*650 0$aModernism (Literature)$zEurope, Central$xThemes, motives.
*650 0$aModernism (Literature)$zEurope, Eastern$xThemes, motives.
*650 0$aArts, Central European$y19th century$xThemes, motives.
*650 0$aArts, Central European$y20th century$xThemes, motives.
*650 0$aArts, European$zEurope, Eastern$y19th century$xThemes, motives.
*650 0$aArts, European$zEurope, Eastern$y20th century$xThemes, motives.
*650 7$aModernism (konst)$zCentraleuropa$2sao
*650 7$aModernism (konst)$zÖsteuropa$2sao
*650 7$aModernism (litteratur)$zCentraleuropa$2sao
*650 7$aModernism (litteratur)$zÖsteuropa$2sao
*7001 $iTranslation of:$aSandqvist, Tom,$tSvunnet Europa.$d1954-
*841  $5Ko$ax  a$b1304084u    8   1001uu   0901128$e4
*852  $5Ko$bKo$hKONST - Ib.5
^
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«This book is about Modernism and Avant-Garde movements in Central and Eastern European art around the last turn of the century. It sketches a surrealistic, bewildering, irrational arena. At the same time, we are offered a differentiated view on the complex whole of the avantgarde scene in Eastern Europe. The author takes us to dark soirées, scandalous dada theatrical performances, drunken bouts with loudmouthed reformers. Subjectivity stands against rationality, ethnonationalism against internationalism. Yugoslavian zenitism, Czech poetism, Hungarian activism, and other less-known isms, are proposed in exstatic outbursts in shortlived magazines. The pace is hectic, the commitment enormous, and the sheer force of strongminded individuals overwhelming. All in all, the inversed perspective seems alluringly fresh, with Eastern Europe as the co-producer of ideological content, instead as the receiver, or, even worse, the passive reflection of Western thought. I am impressed by the tolerance of much of the audience before and after the First World War: To be a genius seems to be just a matter of course. Karel Teige in Prague, Ljubomir Micić in Zagreb, Lajos Kassák in Budapest, and Jacek Malczewski in Krakow were tireless propagators of avant-garde art - but also of nostalgic messianism. How did they get away with this, at times, monomaniac egoism, one wonders. Sandqvist finds the answer in that subjectivity was the remedy for avantgarde artists as a defence mechanism against the repressive society and destructive socioeconomical forces.» (Jan von Bonsdorff, Professor, Uppsala University)

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