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Titel och upphov Thinking through painting : reflexivity and agency beyond the canvas
Utgivning, distribution etc. Sternberg Press, Berlin : c2012
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehåll Introduction : remarks on contemporary painting's perseverance / André Rottmann -- Painting and atrocity : the Tuymans strategy / Peter Geimer -- Questions for Peter Geimer / Isabelle Graw -- Response to Isabelle Graw / Peter Geimer -- The value of painting : notes on unspecificity, indexicality, and highly valuable quasi-persons / Isabelle Graw -- Questions for Isabelle Graw / Peter Gaimer -- Response to Peter Gaimer / Isabelle Graw.
Term
Institutionsnamn
ISBN 978-3-943365-10-8 3-943365-10-7
Antal i kö:
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*24500$aThinking through painting :$breflexivity and agency beyond the canvas /$c[editors] Institut für Kunstkritik Frankfurt am Main, Isabelle Graw, Daniel Birnbaum, Nikolaus Hirsch ; [contributors: Peter Geimer, Isabelle Graw, André Rottmann]
*260 $aBerlin :$bSternberg Press,$cc2012
*300 $a66 p. :$bill. ;$c19 cm.
*504 $aIncludes bibliographical references.
*50500$tIntroduction : remarks on contemporary painting's perseverance /$rAndré Rottmann --$tPainting and atrocity : the Tuymans strategy /$rPeter Geimer --$tQuestions for Peter Geimer /$rIsabelle Graw --$tResponse to Isabelle Graw /$rPeter Geimer --$tThe value of painting : notes on unspecificity, indexicality, and highly valuable quasi-persons /$rIsabelle Graw --$tQuestions for Isabelle Graw /$rPeter Gaimer --$tResponse to Peter Gaimer /$rIsabelle Graw.
*650 0$aPainting, Modern$y21st century$xCriticism and interpretation.
*650 7$aMålarkonst$xteori, filosofi$2sao
*7001 $aGraw, Isabelle $4edt
*7001 $aBirnbaum, Daniel,$d1963-$4edt
*7001 $aHirsch, Nikolaus$4edt
*7001 $aGeimer, Peter$4ctb
*7001 $aRottmann, André$4ctb
*7102 $aStädelschule Frankfurt am Main.$bInstitut für Kunstkritik.
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*852 $5Ko$bKo$hKONST - Iaa
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Painting has demonstrated remarkable perseverance in the expanding field of contemporary art and the surrounding ecology of media images. It appears, however, to have dispelled its own once-uncontested material basis- no longer confined to being synonymous with a flat picture plane hung on the wall, today, painting instead tends to emphasize the apparatus of its appearance and the conduits of its circulation. With contributions by Peter Geimer, Isabelle Graw, and Andre Rottmann, Thinking through Painting investigates painting's traits and reception in cultural and socioeconomic discourse. Contributors