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A topology of everyday constellations
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  • A topology of everyday constellations
Utgivning, distribution etc.
  • The MIT Press, Cambridge, Massachusetts : [2013]
Utgivningsår
  • 2013
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • viii, 350 pages : illustrations ; 21 cm.
Serietitel - ej biuppslagsform
Anmärkning: Bibliografi etc.
  • Includes bibliographical references (pages 285-342) and index.
Anmärkning: Innehåll
  • A topology of everyday constellations -- Figuring the invisible -- Dream house -- The wave -- The story of an idea -- Towards a cyborg architecture -- Prosthetics and parasites -- Windows and screens.
Term
ISBN
  • 9780262518321 (pbk. : alk. paper)
  • 0262518325 (pbk. : alk. paper)
Antal i kö:
  • 0 (0)
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*1001 $aTeyssot, Georges,$d1946-
*24512$aA topology of everyday constellations /$cGeorges Teyssot
*260  $aCambridge, Massachusetts :$bThe MIT Press,$c[2013]
*300  $aviii, 350 pages :$billustrations ;$c21 cm.
*4900 $aWriting architecture.
*504  $aIncludes bibliographical references (pages 285-342) and index.
*5050 $aA topology of everyday constellations -- Figuring the invisible -- Dream house -- The wave -- The story of an idea -- Towards a cyborg architecture -- Prosthetics and parasites -- Windows and screens.
*650 7$aRum$xteori, filosofi$2sao
*650 7$aInredning$xteori, filosofi$2sao
*650 7$aBostäder$xteori, filosofi$2sao
*650 0$aSpace (Architecture)
*650 0$aSpatial behavior.
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*852  $hARKITEKTUR - Ic:d
^
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The threshold as both boundary and bridge- investigations of spaces, public and private, local and global. Today, spaces no longer represent a bourgeois haven; nor are they the sites of a classical harmony between work and leisure, private and public, the local and the global. The house is not merely a home but a position for negotiations with multiple spheres-the technological as well as the physical and the psychological. In A Topology of Everyday Constellations , Georges Teyssot considers the intrusion of the public sphere into private space, and the blurring of notions of interior, privacy, and intimacy in our societies. He proposes that we rethink design in terms of a new definition of the practices of everyday life.
Teyssot considers the door, the window, the mirror, and the screen as thresholds or interstitial spaces that divide the world in two- the outside and the inside. Thresholds, he suggests, work both as markers of boundaries and as bridges to the exterior. The stark choice between boundary and bridge creates a middle space, an in-between that holds the possibility of exchanges and encounters.
If the threshold no longer separates public from private, and if we can no longer think of the house as a bastion of privacy, Teyssot asks, does the body still inhabit the house-or does the house, evolving into a series of microdevices, inhabit the body?

  • p. vii
  • p. ix
  • p. 1
  • p. 31
  • p. 83
  • p. 119
  • p. 153
  • p. 183
  • p. 219
  • p. 251
  • p. 285
  • p. 343
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