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Titel och upphov During the exhibition the gallery will be closed : contemporary art and the paradoxes of conceptualism
Utgivning, distribution etc. Valiz : Distribution, USA, DAP, Amsterdam : c2012
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Allmän Originally presented as the author's thesis (Ph. D.) -- Universiteit van Amsterdam.
Anmärkning: Bibliografi etc. Includes bibliographical references (p. 287-292) and index.
Anmärkning: Innehållsbeskrivning, sammanfattning "In this compilation of essays Camiel van Winkel uncovers the conceptual roots of contemporary art. He shows that the art of today as a whole is essentially 'post-conceptual'. The production and reception of art are determined by circumstances and factors that conceptual artists in the years 1965-75 were the first to announce: the cultural dominance of information, the professionalization of artistic practices, and the applicability of the criteria of 'good design'. This post-conceptual perspective offers a new and revealing insight into the systematics of contemporary art and artisthood, in particular with regard to the relationship between conceptual and visual aspects, the meaning of theoretical discourse, and the role of institutions and mediators"--P. [4] of cover.
Term
ISBN 978-90-78088-56-1 90-78088-56-7
Antal i kö:
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*00137583
*00520130221112659.3
*008110921s2011 ne a b 001 0 eng d
*020 $a978-90-78088-56-1
*020 $a90-78088-56-7
*035 $a(SE-LIBR)13904607
*035 $a(Ko)42141
*040 $aERASA$cERASA$dBTCTA$dYDXCP$dBWX$dQGK$dPIT$dWAU$dLML$dKo
*05014$aN6494.C63$bW56 2012
*084 $aIaa$2kssb/8
*084 $aIbh.55$2kssb/8
*1001 $aWinkel, Camiel van
*24510$aDuring the exhibition the gallery will be closed :$bcontemporary art and the paradoxes of conceptualism /$cCamiel van Winkel
*260 $aAmsterdam :$bValiz :$bDistribution, USA, DAP,$cc2012
*300 $a299 p. :$bill. ;$c24 cm.
*500 $aOriginally presented as the author's thesis (Ph. D.) -- Universiteit van Amsterdam.
*504 $aIncludes bibliographical references (p. 287-292) and index.
*5208 $a"In this compilation of essays Camiel van Winkel uncovers the conceptual roots of contemporary art. He shows that the art of today as a whole is essentially 'post-conceptual'. The production and reception of art are determined by circumstances and factors that conceptual artists in the years 1965-75 were the first to announce: the cultural dominance of information, the professionalization of artistic practices, and the applicability of the criteria of 'good design'. This post-conceptual perspective offers a new and revealing insight into the systematics of contemporary art and artisthood, in particular with regard to the relationship between conceptual and visual aspects, the meaning of theoretical discourse, and the role of institutions and mediators"--P. [4] of cover.
*650 7$aKonceptkonst$2sao$0https://id.kb.se/term/sao/Konceptkonst
*650 7$aKonst$xteori, filosofi$2sao
*650 0$aConceptual art.
*650 0$aArt, Modern$y20th century.
*650 0$aConceptual art
*841 $5Ko$ax a$b1302134u 8 1001uu 0901128$e4
*852 $5Ko$bKo$hKONST - Iaa
*950 $aModern konst$wg$uKonceptkonst
*950 $aPerformance$wg$uKonceptkonst
*950 $aArtists' books$wh$uKonceptkonst
*950 $aLand art$uKonceptkonst
*950 $aMail art$uKonceptkonst
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In this collection of essays, Amsterdam art historian and critic Camiel van Winkel digs up the conceptual roots of contemporary art, design and photography to argue that the art of today is, as a whole, "post-conceptual." Focusing on the conceptual artists of the years 1965-1975, van Winkel examines how the art of that era continues to inform the art world today. Highly polemical and very readable, During the Exhibition the Gallery Will Be Closed looks at the cultural dominance of information in art discourse, the professionalization of artistic practices, the debate over "good design" in art and the role institutions play in art theory. It is an essential collection for any understanding of that idea, belief and desire we today call "the artist."