Location
Main Entry - Personal Name
Title Statement Documentation, disappearance, and the representation of live performance
Publication, Distribution, etc. (Imprint) Palgrave Macmillan, Basingstoke : 2006
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
Bibliography, etc. Note Includes bibliographical references and index.
Summary, etc Drawing on the work of artists and companies as diverse as Forced Entertainment, DV8, Annie Sprinkle and the Traverse Theatre Company, the author analyses a range of art and documentary forms, incorporating video, still photography, dance, new performance, live art, writing and drama.
Subject - Topical Term
ISBN
Waiting
*00001500nam a22003497a 4500
*00137566
*00520130216065346.0
*008060411s2006 xxka f b 001 0 eng d
*020 $a1-4039-9707-1 (hbk.) :$c£45.00
*035 $a(SE-LIBR)13892046
*035 $a(Ko)42118
*082 $a791.01
*084 $aIbh.58$2kssb/8
*1001 $aReason, Matthew
*24510$aDocumentation, disappearance, and the representation of live performance /$cMatthew Reason
*260 $aBasingstoke :$bPalgrave Macmillan,$c2006
*300 $a264 p. :$bill. ;$c22 cm.
*504 $aIncludes bibliographical references and index.
*520 $aDrawing on the work of artists and companies as diverse as Forced Entertainment, DV8, Annie Sprinkle and the Traverse Theatre Company, the author analyses a range of art and documentary forms, incorporating video, still photography, dance, new performance, live art, writing and drama.
*650 7$aPerformance$xteori, filosofi$2sao
*650 7$aVideokonst$xteori, filosofi$2sao
*650 7$aKonst$xteori, filosofi$2sao
*650 7$aDokumentation $2sao
*650 0$aPerforming arts$xTechnique.
*650 0$aPerforming arts$xInformation resources.
*650 0$aDocumentation
*841 $5Ko$ax a$b1302084u 8 1001uu 0901128$e4
*852 $5Ko$bKo$hKONST - Ib.58
*950 $aDokumentering$uDokumentation
*950 $aInformationsvetenskap$wg$uDokumentation
*950 $aBibliotekskunskap$wh$uDokumentation
*950 $aSamtidsdokumentation $wh$uDokumentation
^
No reviews exists for this book.
Click here
to be the first to write a review.
The documentation of practice is one of the principle concerns of performance studies. Focusing on contemporary performance practice and with emphasis on the transformative impact of video, photography and writing, this book explores the ideological, practical, and representational implications of knowing performance through its documentations.
List of Illustrations p. viii Acknowledgements p. x Preface: About the Cover p. xi Introduction p. 1 Documentation and Disappearance p. 8 Archives p. 31 Proper Research, Improper Memory p. 41 Self-Representation p. 55 Video Documents p. 73 Screen Reworkings p. 92 Photography, Truth and Revelation p. 113 Photography, Publicity and Representation p. 146 Reviewing Performance p. 183 Writing the Live p. 205 The Representation of Live Performance p. 231 Notes p. 239 Performance Works Cited p. 251 Bibliography p. 253 Index p. 263