Konstfacks bibliotek

*00003647nam a22003737a 4500
*00137492
*00520130128162919.8
*008120224s2011    fr a     bc   000 0 eng d
*020  $a978-2-86770-203-7
*020  $a2-86770-203-8
*035  $a(SE-LIBR)13806391
*035  $a(Ko)42017
*040  $aYBM$cYBM
*084  $aIgy$2kssb/8
*1001 $aBargue, Charles,$d1826/7-1883
*24510$aCharles Bargue drawing course :$bwith the collaboration of Jean-Léon Gérôme /$cGerald M. Ackerman ; with the collaboration of Graydon Parrish
*24610$aDrawing course.
*260  $aParis :$bACR Edition,$cc2011
*300  $a336 p. :$bill. (some col.) ;$c29 cm.
*500  $aAccompanies the exhibition "Charles Bargue: The Art of Drawing," Nov. 25, 2003-Feb. 8, 2004 at the Dahesh Museum of Art, New York.--p. 4.
*504  $aIncludes bibliographical references.
*5050 $aIntroduction. The history of the Drawing course -- Public controversy over teaching materials -- Goupil proposes of solution -- The organization of the Drawing course -- Part I: Drawing after casts (Modèles d'après la bosse). Introduction -- Practical matters: using the plates as models to copy -- The schemata or plans -- Materials -- Drawing terms -- Suggestions for coping the plates -- Values and modeling -- Procedure for modeling -- Finishing the drawing -- Part II: Copying master drawings (Modèles d'après les maîtres). Introduction -- Realism, idealism, and academic drawing -- Practical matters -- On choosing a master drawing to copy: the benefits of copying -- Getting down to copying -- A note about the drawings by Hans Holbein the younger -- Part III: Preparation for drawing académies (Exercices au fusain pour préparer à l'étude de l'académie d'après nature). Introduction -- Ancient sculpture as the model of true beauty: the prevalence of male models -- Practical matters: copying the drawings -- Some notes on Bargue's style -- A repertoire of traditional poses -- Charles Bargue, the artist. Introduction -- Bargue's early career -- From craftsman to artist: Bargue's early development -- Bargue and Goupil & Cie -- Goupil's reductions -- The Drawing course -- Bargue's work during the 1870 -- A possible voyage to the Near East: Bargue's first orientalist painting -- A Rococo theme: the artist and his model of 1874 -- Compositional experiments -- The artist and his model of 1878 -- Mosque scenes -- A Bashi-Bazouk and some Albanians -- Bargue's final five years, 1878-83 -- Two Chess games -- Bargue's death -- A preliminary catalogue of Bargue's paintings -- Drawings by Bargue reproduced in this study.
*520  $a"This book is a complete reprint of the fabled but rare Drawing Course (Cours de Dessin) of Charles Bargue and Jean-Léon Gérôme, published in Paris in the 1860s and 1870s. For most of the next half-century, this set of nearly 200 masterful lithographs was copied by art students worldwide before they attempted to draw from a live model. This book will be valuable to a wide range of artists, students, art historians and collectors, even as it introduces them to the hitherto-neglected master, Charles Bargue." -- Back cover.
*60010$aBargue, Charles,$d1826 or 7-1883.
*650 7$aTeckning$xpraktiska handledningar$y1800-talet$2sao
*650 0$aDrawing$xStudy and teaching.
*650 0$aDrawing$vExhibitions.
*7001 $aGérôme, Jean Léon,$d1824-1904
*7001 $aAckerman, Gerald M.
*7001 $aParrish, Graydon,$d1970-
*7102 $aDahesh Museum of Art.
*841  $5Ko$ax  a$b1301214u    8   1001uu   0901128$e4
*852  $5Ko$bKo$hTEKNIKER - Igy
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The Bargue-Gérôme Drawing Course is a complete reprint of a famous, late nineteenth century drawing