Konstfacks bibliotek

*00001655nam a22004937a 4500
*00137336
*00520121129095542.9
*008111225s2012    xxkac         001 0 eng d
*020  $a978-0-9568962-3-0
*020  $a0-9568962-3-5
*035  $a(SE-LIBR)13592590
*035  $a(Ko)41823
*084  $aIbu$2kssb/8
*1001 $aArkhipov, Vladimir,$d1961-
*24510$aHome-made Europe :$bcontemporary folk artifacts /$cVladimir Arkhipov
*260  $aLondon :$bMurray & Sorrell FUEL,$c2012
*300  $a255 p. :$bill., ports. ;$c21 cm.
*500  $aIncludes index and artist's portraits.
*650 0$aFolk art$zEurope$y20th century.
*650 0$aFolk art$zEurope$y21st century.
*650 0$aFolk artists$zEurope.
*650 7$aFolkkonst$2sao
*650 7$aAmatör- och hobbyverksamhet$2sao
*650 7$aDesign$2sao
*650 0$aFolk art
*650 0$aDesign
*841  $5Ko$ax  a$b1211164u    8   1001uu   0901128$e4
*852  $5Ko$bKo$hKONST - Ibu
*950  $aPrimitiv konst$uFolkkonst
*950  $aStamkulturernas konst$uFolkkonst
*950  $aFolklig konst$uFolkkonst
*950  $wg$aKonst$uFolkkonst
*950  $aInuitkonst$wh$uFolkkonst
*950  $aDekorativ konst$uFolkkonst
*950  $aFormgivning$uDesign
*950  $wh$aHållbar design$uDesign
*950  $aIndustriell formgivning$wh$uDesign
*950  $aKonceptdesign$wh$uDesign
*950  $aModedesign$wh$uDesign
*950  $aMöbeldesign$wh$uDesign
*950  $aFormgivare$uDesign
*950  $aGör-det-själv-böcker$uAmatör- och hobbyverksamhet
*950  $aHobbyverksamhet$uAmatör- och hobbyverksamhet
^

In this second volume of home-made artifacts, Russian artist Vladimir Arkhipov has travelled across Europe to further his collection. The objects he has found are made by everyday people inspired to create something themselves, rather than buying manufactured goods. His archive includes hundreds of objects created with idiosyncratic functional qualities: an Austrian ski-bob made using an old bicycle frame, and a device from Germany that enables a musician to play three brass tubas at once. Featuring 230 individual artifacts from Albania, Austria, Czech Republic, England, France, Germany, Ireland, Italy, Russia, Spain, Switzerland, Ukraine and Wales, accompanied by a photograph of the creator, their story of how the object came about, its function and the materials used to create it. The book is an essential companion to the first volume by the same author, expanding its theme. Here the objects are more recent, suggesting that the home-made phenomenon transcends simple necessity. Many have been made in pursuit of a hobby, or because the maker had the time and inclination to construct something personal. But with others (in Albania for example) the objects feel like they might be more vital to the maker's livelihood.