Hylla
Personnamn
Titel och upphov
Utgivning, distribution etc. University of Toronto Press, Toronto : c2012
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning x, 274 p. : ill. ; 23 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Term
ISBN 978-1--44264351-2 (bound) 978-1--44261204-4 (pbk.)
Antal i kö:
*00001322nam a22003977a 4500
*00137300
*00520121119165528.0
*008121102s2012 onca 001 0deng
*016 $a20129016268
*020 $a978-1--44264351-2 (bound)
*020 $a978-1--44261204-4 (pbk.)
*035 $a(SE-LIBR)13505375
*035 $a(Ko)41784
*040 $aCaOONL$beng$cCaOONL$dCaOONL$dUh
*05501$aPN6710
*055 0$aPN6710$bB39 2012
*082 $a741.5$223
*084 $aIg.05$2kssb/8
*084 $aG.05$2kssb/8
*1001 $aBeaty, Bart
*24510$aComics versus art /$cBart Beaty
*260 $aToronto :$bUniversity of Toronto Press,$cc2012
*300 $ax, 274 p. :$bill. ;$c23 cm.
*504 $aIncludes bibliographical references and index.
*599 $aDawson
*650 0$aComic books, strips, etc.$xHistory and criticism.
*650 0$aComic books, strips, etc., in art.
*650 6$aBandes dessinées$xHistoire et critique.
*650 6$aBandes dessinées dans l'art.
*650 7$aTecknade serier$xhistoria$2sao$0349587
*650 7$aTecknade serier i konsten$2sao
*650 0$aComic books, strips, etc.$xHistory
*841 $5Ko$ax a$b1210264u 8 1001uu 0901128$e4
*852 $5Ko$bKo$hTECKNADE SERIER - G.05
*950 $aVuxenserier$wh$uTecknade serier$xhistoria
^
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On the surface, the relationship between comics and the 'high' arts once seemed simple; comic books and strips could be mined for inspiration, but were not themselves considered legitimate art objects. Though this traditional distinction has begun to erode, the worlds of comics and art continue to occupy vastly different social spaces.
Comics Versus Art examines the relationship between comics and the most important institutions of the art world; including museums, auction houses, and the art press. Bart Beaty's analysis centres around two questions: why were comics excluded from the history of art for most of the twentieth century, and what does it mean that comics production is now more closely aligned with the art world? Approaching this relationship for the first time through the lens of the sociology of culture, Beaty advances a completely novel approach to the comics form.