Konstfacks bibliotek

Uta Barth : to draw with light
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  • FOTOGRAFI - Inz Barth, Uta
Personnamn
Titel och upphov
  • Uta Barth : to draw with light
Varianttitel
  • Draw with light.
Utgivning, distribution etc.
  • Photo Based Art, Inc., Annandale-on-Hudson, N.Y. : cop. 2012.
Utgivningsår
  • 2012
  • Språk: Engelska.
SAB klassifikationskod
Fysisk beskrivning
  • 96 p. (2 fold-out) : col. ill. ; 28 x 31 cm.
Serietitel - ej biuppslagsform
Nummer i serie
  • 3
Seriebiuppslag under titel
Personnamn
Term
ISBN
  • 978-0-9839989-3-8
  • 0-9839989-3-0
Antal i kö:
  • 0 (0)
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*00137285
*00520121030164617.0
*008121031s2012    xxua          000 0 eng c
*020  $a978-0-9839989-3-8
*020  $a0-9839989-3-0
*035  $a(SE-LIBR)13565673
*035  $a(Ko)41767
*084  $aInz Barth, Uta$2kssb/8
*1001 $aBarth, Uta,$d1958-$4pht
*24510$aUta Barth :$bto draw with light /$c[essay by Paul Soto]
*24630$aDraw with light.
*260  $aAnnandale-on-Hudson, N.Y. :$bPhoto Based Art, Inc.,$ccop. 2012.
*300  $a96 p. (2 fold-out) :$bcol. ill. ;$c28 x 31 cm.
*4901 $aBlind spot series ;$v3
*60010$aBarth, Uta,$d1958-
*650 7$aFotografer$zTyskland$y1945-$2sao
*650 7$aLjus i konsten$2sao$0https://id.kb.se/term/sao/Ljus%20i%20konsten
*650 0$aPhotography, Artistic.
*650 0$aLight in art.
*650 0$aShades and shadows in art.
*650 0$aWindows in art.
*650 0$aLight in art
*830 0$aBlindspot book.
*841  $5Ko$ax  a$b1210304u    8   1001uu   0901128$e4
*852  $5Ko$bKo$hFOTOGRAFI - Inz Barth, Uta
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In 2011, Blind Spot magazine launched Blind Spot Series, publishing small-format, limited-run artist's books that present concise suites of images from single bodies of work by important contemporary artist-photographers. The newest in this series is Los Angeles-based Uta Barth's stunning To Draw with Light , featuring 46 color photographs from the acclaimed . . . and to draw a bright white line with light and Compositions of Light on White series (recently exhibited at the Art Institute of Chicago, 1301PE in Los Angeles and Tanya Bonakdar Gallery in New York) alongside new works created specifically for the book. According to essayist Paul Soto's recent review in Art in America , these works are especially remarkable because they include, for the first time, traces of the artist's body as she arranges the elements within her photographs--the gauzy curtains in front of her sundrenched windowsill, or the light which projects through her window blinds to create floating geometric monochromes upon her closet doors.

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