Konstfacks bibliotek

*00000763nam a22002657a 4500
*00137278
*00520121113065353.3
*008120424s2012    xxua
*020  $a0-691-15044-3
*020  $a978-0-691-15044-4
*035  $a(SE-LIBR)13474961
*035  $a(Ko)41759
*040  $dUh
*082  $a701$223
*084  $aIaa$2kssb/8
*1001 $aJoselit, David
*24510$aAfter Art /$cDavid Joselit
*260  $aNew Jersey :$bPrinceton University Press,$c2012
*300  $a136 p. :$b39 color illus. 1 halftone. ;$c190mm 152mm
*4901 $aPoint: Essays on Architecture
*599  $aDawson
*830 0$aPoint: Essays on Architecture
*841  $5Ko$ax  a$b1210304u    8   1001uu   0901128$e4
*852  $5Ko$bKo$hKONST - Iaa
^

How digital networks are transforming art and architecture

Art as we know it is dramatically changing, but popular and critical responses lag behind. In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced, and after they enter into, and even establish, diverse networks. Behaving like human search engines, artists and architects sort, capture, and reformat existing content. Works of art crystallize out of populations of images, and buildings emerge out of the dynamics of the circulation patterns they will house.

Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.

• Acknowledgmentsp. x
• Prefacep. xiii
• Image Explosionp. 1
• Populationsp. 24
• Formatsp. 55
• Powerp. 85
• Notesp. 97
• Creditsp. 115