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Titel och upphov Multicultural comics : from Zap to Blue Beetle
Utgivning, distribution etc. University of Texas Press, Austin, TX : 2010
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SAB klassifikationskod
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Antal i kö:
*00001426nam a22003737a 4500
*00137255
*00520121116065404.6
*008121026s2011 xxua 001 0 eng c
*020 $a978-0-292-73743-3
*035 $a(SE-LIBR)13562234
*035 $a(Ko)41734
*040 $aKo
*084 $aG.05$2kssb/8
*24510$aMulticultural comics :$bfrom Zap to Blue Beetle /$cedited by Frederick Luis Aldama ; foreword by Derek Parker Royal
*260 $aAustin, TX :$bUniversity of Texas Press,$c2010
*4900 $aCognitive approaches to literature and culture
*650 7$aTecknade serier$2sao$0https://id.kb.se/term/sao/Tecknade%20serier
*650 7$aEtnicitet i litteraturen$2sao
*650 0$aEthnicity in literature
*650 0$aComic books, strips, etc.
*7001 $aAldama, Frederick Luis$4edt
*7001 $aRoyal, Derek Parker,$d1963-$4aui
*841 $5Ko$ax a$b1210264u 8 1001uu 0901128$e4
*852 $5Ko$bKo$hTECKNADE SERIER - G.05
*950 $aKulturell identitet i litteraturen$uEtnicitet i litteraturen
*950 $aSerier$xtecknade$uTecknade serier
*950 $aSerietidningar$uTecknade serier
*950 $aBilder$wg$uTecknade serier
*950 $wh$aBarn och tecknade serier$uTecknade serier
*950 $aBatman (fiktiv gestalt)$wh$uTecknade serier
*950 $aGrafiska romaner$wh$uTecknade serier
*950 $aSeriefigurer$wh$uTecknade serier
*950 $aSuperhjältar$wh$uTecknade serier
*950 $aVuxenserier$wh$uTecknade serier
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Multicultural Comics: From Zap to Blue Beetle is the first comprehensive look at comic books by and about race and ethnicity. The thirteen essays tease out for the general reader the nuances of how such multicultural comics skillfully combine visual and verbal elements to tell richly compelling stories that gravitate around issues of race, ethnicity, gender, and sexuality within and outside the U.S. comic book industry. Among the explorations of mainstream and independent comic books are discussions of the work of Adrian Tomine, Grant Morrison, and Jessica Abel as well as Marv Wolfman and Gene Colan's The Tomb of Dracula ; Native American Anishinaabe-related comics; mixed-media forms such as Kerry James Marshall's comic-book/community performance; DJ Spooky's visual remix of classic film; the role of comics in India; and race in the early Underground Comix movement. The collection includes a "one-stop shop" for multicultural comic book resources, such as archives, websites, and scholarly books. Each of the essays shows in a systematic, clear, and precise way how multicultural comic books work in and of themselves and also how they are interconnected with a worldwide tradition of comic-book storytelling.
Foreword; Or Reading within the Gutter Multicultural Comics Today: A Brief Introduction History, Concepts, and Methods Race and Comix "Authentic" Latinas/os and Queer Characters in Mainstream and Alternative Comics Native American Narratives from Early Art to Graphic Novels: How We See Stories / Ezhi-g'waabmaananig Aadizookaanag Liminality and Mestiza Consciousness in Lynda Barry's One Hundred Demons Black Nationalism, Bunraku, and Beyond: Articulating Black Heroism through Cultural Fusion and Comics Birth of a Nation: Representation, Nationhood, and Graphic Revolution in the Works of D. W. Griffith, DJ Spooky, and Aaron McGruder et al. Lost in Translation: Jessica Abel's La Perdida, the Bildungsroman, and "That 'Mexican' Feel" Same Difference: Graphic Alterity in the Work of Gene Luen Yang, Adrian Tomine, and Derek Kirk Kim A Multicultural Comic Book Toolbox "It ain't John Shaft": Marvel Gets Multicultural in The Tomb of Dracula Invisible Art, Invisible Planes, Invisible People Wondrous Capers: The Graphic Novel in India Chronology, Country, and Consciousness in Wilfred Santiago's In My Darkest Hour Finding Archives/Making Archives: Observations on Conducting Multicultural Comics Research Works Cited Contributor Notes Index