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Titel och upphov Unpopular culture : transforming the European comic book in the 1990s
Utgivning, distribution etc. University of Toronto Press, Toronto ; Buffalo : c2007
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning ix, 303 p. : ill. ; 24 cm.
Serietitel - biuppslagsform
Anmärkning: Bibliografi etc. Includes bibliographical references (p. [273]-281) and index.
Term
ISBN 978-0-8020-9412-4 (pbk. : acid-free paper) 0-8020-9412-0 (pbk. : acid-free paper) 978-0-8020-9133-8 (bound : acid-free paper) 0-8020-9133-4 (bound : acid-free paper)
Antal i kö:
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*020 $a978-0-8020-9133-8 (bound : acid-free paper)
*020 $a0-8020-9133-4 (bound : acid-free paper)
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*300 $aix, 303 p. :$bill. ;$c24 cm.
*440 $aStudies in book and print culture
*504 $aIncludes bibliographical references (p. [273]-281) and index.
*650 0$aComic book s, strips, etc$zEurope$xHistory and criticism.
*650 6$aBandes dessinées$zEurope$xHistoire et critique.
*650 7$aSerietidningar$zEuropa
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In the last fifteen years or so, a wide community of artists working in a variety of western European nations have overturned the dominant traditions of comic book publishing as it has existed since the end of the Second World War. These artists reject both the traditional form and content of comic books (hardcover, full-colour 'albums' of humour or adventure stories, generally geared towards children), seeking instead to instil the medium with experimental and avant-garde tendencies commonly associated with the visual arts.Unpopular Cultureaddresses the transformation of the status of the comic book in Europe since 1990.
Increasingly, comic book artists seek to render a traditionally degraded aspect of popular culture un-popular, transforming it through the adoption of values borrowed from the field of 'high art.' The first English-language book to explore these issues, Unpopular Culturerepresents a challenge to received histories of art and popular culture that downplay significant historical anomalies in favour of more conventional narratives. In tracing the efforts of a large number of artists to disrupt the hegemony of high culture, Bart Beaty raises important questions about cultural value and its place as an important structuring element in contemporary social processes.