Hylla KONST - Ibz Djurberg, Nathalie
Personnamn
Titel och upphov The parade : Nathalie Djurberg
Utgivning, distribution etc. Walker Art Center, Minneapolis, Minn. : 2011.
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 192 s. : ill. delvis i farver.
Anmärkning: Allmän Utställning, Walker Art Center, Minneapolis, 8.9 - 31.12 2011, New Museum, New York, 11.5 - 8.7 2012, Yerba Buena Center for the Arts, San Francisco, 13.10 2012 - 27.1 2013
Personnamn
Term
Institutionsnamn
ISBN
Antal i kö:
*00001081nam a22002657a 4500
*00137237
*00520121018155605.0
*008121019s2011 xxu 00| u eng d
*020 $a978-1-935963-04-2
*035 $a(SE-LIBR)12566338
*035 $a(Ko)41705
*084 $a7.074(73)$2z
*1001 $aDjurberg, Nathalie, $4art$d1978-
*24514$aThe parade :$bNathalie Djurberg /$cwith music by Hans Berg ; [edited by Eric Crosby, Dean Otto]
*260 $aMinneapolis, Minn. :$bWalker Art Center,$c2011.
*300 $a192 s. :$bill. delvis i farver.
*500 $aUtställning, Walker Art Center, Minneapolis, 8.9 - 31.12 2011, New Museum, New York, 11.5 - 8.7 2012, Yerba Buena Center for the Arts, San Francisco, 13.10 2012 - 27.1 2013
*60017$aDjurberg, Nathalie, $d1978-
*650 7$aKonstnärer$zFörenta staterna$ysekelskiftet 2000$2sao
*7001 $aCrosby, Eric$4edt
*7001 $aOtto, Dean$4edt
*7001 $aBerg, Hans
*7102 $aWalker Art Center$4pbl
*841 $5Ko$ax a$b1210184u 8 1001uu 0901128$e4
*852 $5Ko$bKo$hKONST - Ibz Djurberg, Nathalie
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Since 2001, Swedish-born artist Nathalie Djurberg (born 1978) has honed a distinctive style of video animation. Set to music and sound effects by her collaborator Hans Berg, Djurberg's handcrafted cinematic tales explore revenge, lust, submission, gluttony and other primal emotions through the conventionally innocent technique of "Claymation," which in her hands becomes a medium for nightmarish yet wry allegories of human behavior and social taboo. Increasingly, Djurberg's practice has blurred the cinematic and the sculptural in environments that integrate moving images and related set pieces. This publication accompanies the artist's largest presentation in an American museum to date. The catalogue weaves documentation of her sculptures and stills from her recent films with texts (both original and found) that trace the historical, scientific and literary threads running through her practice.