Konstfacks bibliotek

*00000675nam a22002297a 4500
*00137129
*00520120928144431.0
*008120920s2012    xxka|||       000 0 eng c
*020  $a978-1-84638-090-7
*035  $a(SE-LIBR)13530605
*035  $a(Ko)41585
*040  $aKo
*084  $aIbz Kusama, Yayoi$2kssb/8
*1001 $aApplin, Jo
*24510$aYayoi Kusama :$bInfinite mirror room /$cJo Applin
*260  $aLondon :$bAfterall,$c2012
*300  $a97 s. :$bill.
*4900 $aOne work
*60014$aKusama, Yayoi,$d1929-$tInfinite mirror room
*7001 $aKusama, Yayoi,$d1929-
*841  $5Ko$ax  a$b1209194u    8   1001uu   0901128$e4
*852  $5Ko$bKo$hKONST - Ibz Kusama, Yayoi
^

Almost a half-century after Yayoi Kusama debuted her landmark installation 'Infinity Mirror Room - Phalli's Field' (1965) in New York, the work remains challenging and unclassifiable. Jo Applin looks at the installation in detail and places it in the context of subsequent art practice and theory as well as Kusama's own (as she called it) 'obsessional art'.