Konstfacks bibliotek

*00000868nam a22002537a 4500
*00136907
*00520120806112657.0
*008120627s2012    xxua          000 0beng c
*020  $a978-1-60699-447-4
*035  $a(SE-LIBR)12477591
*035  $a(Ko)41336
*040  $dKo
*084  $aIbz Davis, Jack$2kssb/8
*1001 $aDavis, Jack
*24510$aJack Davis :$bdrawing American pop culture : a career retrospective /$c[editors: Gary Groth, Jason T. Miles, Alex Murawaski]
*260  $aSeattle, Wash. :$bFantagraphics,$c2012
*300  $a207 s. :$bill. ;$c34 cm
*60014$aDavis, Jack,$d1924-
*650 7$aTecknade serier$zFörenta staterna$y1900-talet$2sao
*7001 $aGroth, Gary$4edt
*7001 $aMiles, Jason T.$4edt
*7001 $aMurawaski, Alex$4edt
*841  $5Ko$ax  a$b1206274u    8   1001uu   0901128$e4
*852  $5Ko$bKo$hTECKNADE SERIER - Ibz Davis, Jack
^

In the late 1940s, Jack Davis' animated and exuberant images possesseda sense of spontaneous energy that proved to have universal appeal in everymedium he worked in. Beginning with his masterful pen and ink cartooning at ECComics, he quickly forged a reputation as one of the most versatile artists incomics, drawing humor, horror, and war stories. In Harvey Kurtzman's MAD , especially, Davis made a mark as a master of caricature, composition,and wild, anarchic crowd scenes, practically vibrating with energy. After stintsat MAD , Trump , and Humbug , Davis illustrated movie posters,magazine articles, magazine fiction, LP jackets, and more. Jack Davis: Drawing American Pop Culture is a gigantic, unparalleled,career-spanning retrospective, between whose hard covers resides the greatestcollection -- in terms of both quantity and quality -- of JackDavis' work ever assembled.