Hylla KONST - Ibz Conner, Bruce
Personnamn
Titel och upphov
Utgivning, distribution etc. MIT Press, Cambridge, Mass. : c2012
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xi, 342 p. : ill. (some col.) ; 24 cm.
Serietitel - ej biuppslagsform
Seriebiuppslag under titel
Anmärkning: Allmän
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Personnamn
ISBN 978-0-262-01681-0 (hardcover : alk. paper) 0-262-01681-8 (hardcover : alk. paper)
Antal i kö:
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*020 $a978-0-262-01681-0 (hardcover : alk. paper)
*020 $a0-262-01681-8 (hardcover : alk. paper)
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*040 $aDLC$cDLC$dYDX$dBTCTA$dUKMGB$dERASA$dYDXCP
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*1001 $aHatch, Kevin,$d1977-
*24510$aLooking for Bruce Conner /$cKevin Hatch
*260 $aCambridge, Mass. :$bMIT Press,$cc2012
*300 $axi, 342 p. :$bill. (some col.) ;$c24 cm.
*4901 $aOctober books
*500 $a"October books ."
*504 $aIncludes bibliographical references and index.
*60010$aConner, Bruce,$d1933-2008$xCriticism and interpretation.
*7001 $aConner, Bruce,$d1933-2008
*830 0$aOctober books .
*841 $5Ko$ax a$b1205284u 8 1001uu 0901128$e4
*852 $5Ko$bKo$hKONST - Ibz Conner, Bruce
^
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In a career that spanned five decades, most of them spent in San Francisco, Bruce Conner (1933--2008) produced a unique body of work that refused to be contained by medium or style. Whether making found-footage films, hallucinatory ink-blot graphics, enigmatic collages, or assemblages from castoffs, Conner took up genres as quickly as he abandoned them. In this first book-length study of Conner's enormously influential but insufficiently understood career, Kevin Hatch explores Conner's work as well as his position on the geographical, cultural, and critical margins.
Generously illustrated with many color images of Conner's works, Looking for Bruce Conner proceeds in roughly chronological fashion, from Conner's notorious assemblages (BLACK DAHLIA and RATBASTARD among them) through his experimental films (populated by images from what Conner called "the tremendous, fantastic movies going in my head from all the scenes I'd seen"), his little-known graphic work, and his collage and inkblot drawings.