Konstfacks bibliotek

Function, restraint, and subversion in typography
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  • GRAFISK DESIGN - Aec
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Titel och upphov
  • Function, restraint, and subversion in typography
Utgivning, distribution etc.
  • Princeton Architectural, New York : c2010
Utgivningsår
  • 2010
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 255 p. : ill. (chiefly col.) ; 26 cm.
Term
ISBN
  • 1-56898-966-0
  • 978-1-56898-966-2
Antal i kö:
  • 0 (0)
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*300  $a255 p. :$bill. (chiefly col.) ;$c26 cm.
*650 0$aGraphic design (Typography)
*650 7$aGrafisk formgivning$2sao
*650 7$aTypografi$2sao
*650 0$aGraphic design (Typography)
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*950  $aGrafiska profiler$wh$uGrafisk formgivning
^
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The beauty of contemporary graphic design is that dozens of movements emerge and re-emerge from view. Yet, too often we are left with only the vague impression that something is going on. To appreciate what that might be requires us to slow down, ignore superficial trends, and take a more in-depth look. This is the approach taken byFunction, Restraint, and Subversion in Typography, a survey of minimalist and brutalist typography in contemporary graphic design. This international collection documents the work of more than twenty-four graphic designers who engage in an aggressively simple typography. Lavishly illustrated with commentary by author J. Namdev Hardisty, the book explores the innovative posters, books, signage, and other forms of print design by such well-known designers as Daniel Eatock, Experimental Jetset, Spin, the Walker Art Center's design studio, aswell as those just beginning to make a mark onthe design world, including MGMT., Project Projects, SEA, Xavier Encinas, Manuel Raeder, YES, and more.

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