Hylla FOTOGRAFI - Inz Bustamante, Jean-Marc
Personnamn
Titel och upphov Jean-Marc Bustamante : amandes amères = bitter almonds = Bittere Mandeln : a project for documenta X.
Varianttitel Bitter almonds Bittere Mandeln
Utgivning, distribution etc.
Utgivningsår
Språk: Flerspråkigt verk.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Allmän Utställning i Documenta X, Kassel 1997
Personnamn
Term
Geografiskt namn
Institutionsnamn
ISBN
Antal i kö:
*00001325nam a22004097a 4500
*00136716
*00520111123143421.0
*008120413s1997 xxk 00| u mul c
*020 $a0-7148-3707-5
*035 $a(SE-LIBR)10718524
*035 $a(Ko)41128
*040 $dKo$dNfo
*0410 $afre$aeng$ager
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*084 $a77.036.2(44)$2z
*084 $a77.042.8$2z
*084 $a7.074(43)$2z
*084 $aInz Bustamante, Jean-Marc$2kssb/8
*1001 $aBustamante, Jean-Marc,$d1952-
*24510$aJean-Marc Bustamante :$bamandes amères = bitter almonds = Bittere Mandeln : a project for documenta X.
*24611$aBitter almonds
*24611$aBittere Mandeln
*260 $aLondon :$bPhaidon,$c1997
*300 $a40 pl.-bl. :$bfärgill.
*500 $aUtställning i Documenta X, Kassel 1997
*60014$aBustamante, Jean-Marc,$d1952-
*650 7$aFotokonst$z1990-talet$2sao
*650 7$aFotografer$zFrankrike$y1900-talet$2sao
*650 4$afotografi, kunst.
*650 4$afotografi, bestemte lokaliteter og befolkning.
*651 4$aBuenos Aires
*651 4$aTel Aviv
*651 4$aMiami
*7102 $aDocumenta$n(X :$d1997 :$cKassel)
*841 $ax a$b0803184u 8 1001uu 0901128$e4
*852 $bKo$cFOTOGRAFI -$hInz Bustamante, Jean-Marc
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Amandes Amères ( Bitter Almonds ) is a portfolio of vivid colour photographs that are characteristic of photographer and sculptor Jean-Marc Bustamante's photographic tableaux: intense yet contemplative cityscape images of the capital cities from around the globe, from Buenos Aires to Miami to Tel Aviv. A work of art in its own right, Amandes Amères was launched in June 1997 at the international art event Documenta X in Kassel, Germany.
This book marks Phaidon's first participation in this major and influential event. The volume signifies a highly original distillation of Bustamante's subtle outlook, both in its presentation and in the selection of images designed to illustrate the strikingly sculptural, painterly and symphonic aspects of his innovative and sensitive use of the camera. The compilation is cutting-edge in the context of contemporary visual art and how it is presented, displaying a style that is carefully suited to the atmosphere evoked by Bustamante.