Konstfacks bibliotek

*00001964nam a22005657a 4500
*00136691
*00520120416113110.0
*008120402s2011    xxua     b    000 0 eng d
*020  $a978-0-9833942-0-4
*020  $a0-9833942-0-2
*035  $a(SE-LIBR)12746706
*035  $a(Ko)41096
*040  $aFNE$cFNE$dUOK$dKo
*084  $aInz Opton, Suzanne$2kssb/8
*1001 $aOpton, Suzanne
*24510$aMany wars /$cSuzanne Opton ; essay by Ann Jones
*250  $a1st ed.
*260  $aSeattle :$bDecode Books,$c2011
*300  $a1 v. (unpaged) :$bcol. ill. ;$c31 cm.
*500  $aTwo titles are bound tête-bêche.
*501  $aBound with: Soldier / Suzanne Opton ; essay by Philliip Prodger.
*504  $aIncludes bibliographical references.
*60014$aOpton, Suzanne
*650 0$aPhotography, Artistic.
*650 0$aSoldiers$vPictorial works.
*650 7$aFotokonst$2sao
*650 7$aPorträttfotografi$2sao
*650 7$aSoldater$vbildverk$2sao
*650 0$aPhotography, Artistic
*650 0$aPortrait photography
*7001 $aProdger, Phillip
*7001 $aJones, Ann,$d1937-
*7400 $aSoldier
*841  $5Ko$ax  a$b1204024u    8   1001uu   0901128$e4
*852  $5Ko$bKo$hFOTOGRAFI - Inz Opton, Suzanne
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*950  $aKonstnärlig fotografi$uFotokonst
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*950  $aKonst$wg$uFotokonst
*950  $aSnapshot (fotografi)$wh$uFotokonst
*950  $aFotokonstnärer$uFotokonst
*950  $aPorträttfotografering$wlle$uPorträttfotografi
*950  $aPorträtt$xfotografier$uPorträttfotografi
*950  $aPorträttfotografier$uPorträttfotografi
*950  $aFotografi$wg$uPorträttfotografi
*950  $aPorträttkonst$wg$uPorträttfotografi
*950  $aPost mortemfotografi$wh$uPorträttfotografi
*950  $aAteljéfotografi$uPorträttfotografi
^

In the two series collected in this volume, Soldier and Many Wars , photographer Suzanne Opton (born 1954) photographs a range of American soldiers close up, with their heads resting on tabletops, and American veterans draped in cloth blankets. The subjects of the Soldier series are all young, active-duty soldiers from the Iraq and Afghanistan wars, and the photographs were presented as billboards in nine American cities from 2008 through 2010. Reviewing them for The New York Times , photography critic Vince Aletti wrote: "The posture is vulnerable and startlingly intimate, as if these young men and women were facing someone in bed or on a stretcher... Opton catches soldiers both on guard and off, looking out and inward simultaneously, and we can only imagine what they're thinking, what they've done, and what they dread." The project received extensive press coverage and even sparked a heated debate about America's image of the military. The Many Wars series presents portraits of veterans from American wars over the past 70 years. Through interviews by the photographer, we learn how the wars have affected their lives. Both bodies of work were selected by Martin Paar for the Brighton Photo Biennial in 2010.