Konstfacks bibliotek

   
Unconcealed : the international network of conceptual artists 1967-77 : dealers, exhibitions and public collections
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  • KONST - Ib.55
Personnamn
Titel och upphov
  • Unconcealed : the international network of conceptual artists 1967-77 : dealers, exhibitions and public collections
Utgivning, distribution etc.
  • Ridinghouse, London : 2009
Utgivningsår
  • 2009
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 511 p. : ports. ; 25 cm.
Anmärkning: Allmän
  • Produced in association with Norwich University College of the Arts.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index.
Term
Institutionsnamn
ISBN
  • 1-905464-17-7
  • 978-1-905464-17-3
Antal i kö:
  • 0 (0)
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*05000$aN6494.C63$bR55 2009
*08204$a709.04075$222
*084  $aIb.55$2kssb/8
*1001 $aRichard, Sophie
*24510$aUnconcealed :$bthe international network of conceptual artists 1967-77 : dealers, exhibitions and public collections /$cSophie Richard ; edited by Lynda Morris
*260  $aLondon :$bRidinghouse,$c2009
*300  $a511 p. :$bports. ;$c25 cm.
*500  $aProduced in association with Norwich University College of the Arts.
*504  $aIncludes bibliographical references and index.
*599  $aDawson
*650 7$aKonceptkonst$zEuropa$2sao
*650 7$aKonst$zEuropa$y1900-talet$2sao
*650 0$aConceptual art$zEurope.
*650 0$aArt, European$y20th century.
*650 0$aConceptual art$zEurope$vExhibitions.
*650 0$aArt museums$zEurope.
*650 0$aArt galleries, Commercial$zEurope.
*650 0$aArt$xCollectors and collecting$zEurope.
*7001 $aMorris, Lynda,$d1947-$4edt
*7102 $aNorwich University College of the Arts.
*841  $5Ko$ax  a$b1203204u    8   1001uu   0901128$e4
*852  $5Ko$bKo$hKONST - Ib.55
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Unconcealed describes the emergence of Conceptual art in Northern Europe through the growth of an international network of artists, dealers, museum curators, collectors and critics. A detailed account of this decade (1967-1977) is accompanied by an extensive set of previously unpublished data that charts the exhibitions and sales of Conceptual works to galleries, public institutions and private collections. The relationships, support structures and strategies of dealer galleries such as Konrad Fischer, Wide White Space and Lisson Gallery to promote artists such as Marcel Broodthaers, Richard Long and Lawrence Weiner are revealed and make fascinating reading. Unconcealed exposes the new dealing, curatorial, collecting and teaching methods formed in this decade that continue to be critical to today's art world.

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