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Titel och upphov Reframing the new topographics
Utgivning, distribution etc. The Center for American Places at Columbia College Chicago : Distributed by the University of Chicago Press, Chicago, Ill. : 2010.
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Upplaga
Fysisk beskrivning xxv, 233 p. : ill. ; 24 cm.
Serietitel - ej biuppslagsform
Nummer i serie
Anmärkning: Allmän "Reframing the new topographics is the product of a panel at the 2008 College Art Association annual meeting in Dallas, Texas"--P. ix.
Anmärkning: Bibliografi etc. Includes bibliographical references (p. 159-192) and index.
Anmärkning: Innehåll Same as it ever was : rereading new topographics / Toby Jurovics -- Beyond wilderness : Robert Adams, the new topographics , and the aesthetics of ecological citizenship / Finis Dunaway -- "Systems everywhere" : new topographics and art of the 1970s / Greg Foster-Rice -- "Real estate opportunities" : commercial photography as conceptual source in new topographics / Britt Salvesen -- Deadpan geometries : postwar aerial photographs and the American landscape / Kim Sichel -- Images of thought : Antonioni, Godard, and the new topographics movement / Larisa Dryansky -- Disconsolate and inconsolable : neutrality and new topographics / Mark Rawlinson -- New topographics now : simulated landscape and degraded utopia / Christopher Burnett.
Term
ISBN 978-1-935195-09-2 (alk. paper) 1-935195-09-3 (alk. paper)
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*650 4$aNew topographics
*650 7$aLandskapsfotografi$y1945-$2sao
*650 0$aNew topographics (Photography)$zUnited States.
*650 0$aLandscape photography$zUnited States.
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^
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In 1975 the exhibition New Topographics: Photographs of a Man-Altered Landscape crystallized a new view of the American West: the sublime "American" vistas of Ansel Adams were replaced and subverted by images of a landscape inundated with banal symbols of humanity. Organized by William Jenkins for the George Eastman House in Rochester, New York, New Topographics showcased such photographers as Robert Adams, Lewis Baltz, Joe Deal, Frank Gohlke. Their pictures, illustrating the vernacular, human-made world of contemporary America, punctured the myth of the pristine, wild American landscape--and definitively changed the course of landscape photography.
Reframing the New Topographics offers the first substantive analysis of this shift and the continuing influence of an exhibition that not only reshaped the look and subject matter of landscape photography, but also foreshadowed environmentalism's expansion beyond the mere preservation of wilderness. The essays in this anthology will add an important new dimension to the studies of art history and visual culture.
List of Illustrations p. vii Acknowledgments p. ix Introduction p. xiii Same as it Ever Was: Re-reading New Topographics p. 1 Beyond Wilderness: Robert Adams, New Topographics, and the Aesthetics of Ecological Citizenship p. 13 ôSystems Everywhereö: New Topographics, and Art of the 1970s p. 45 ôReal Estate Opportunitiesö: Commercial Photography as Conceptual Source in New Topographics p. 71 Deadpan Geometries: Mapping, Aerial Photography, and the American Landscape p. 87 Images of Thought: The Films of Antonioni and Godard, and the New Topographics Movement p. 107 Disconsolate and Inconsolable: Neutrality and New Topographics p. 121 New Topographics Now: Simulated Landscape and Degraded Utopia p. 139 References p. 159 Photography Credits p. 193 Works Cited p. 199 Index p. 213 Contributors p. 231