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Utgivning, distribution etc. Fantagraphics, Seattle, Wash. : 2010
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*00000643nam a22002177a 4500
*00136414
*00520150420140205.8
*008111130s2010 xxua 6 000 1 eng c
*020 $a978-1-60699-343-9
*035 $a(SE-LIBR)12075992
*035 $a(Ko)40773
*040 $dKo
*084 $aHeq.05$2kssb/8
*084 $aGeq.05$2kssb/8
*1001 $aSadowski, Greg
*24510$aFour color fear /$cGreg Sadowski
*260 $aSeattle, Wash. :$bFantagraphics,$c2010
*300 $a319 s. :$bill.
*650 7$aTecknade serier$xhistoria$zFörenta staterna$y1950-talet$2sao
*650 7$aSkräcklitteratur$zFörenta staterna$2sao
*852 $hTECKNADE SERIER - Hci(s)$lSAD
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In the genre's peak period (1951-1954), before it almost destroyed thecomics industry, before the watchdog groups and Congress, over fifty horrortitles appeared each month, and Four Color Fear collects the finest ofthese into a single robust and affordable volume. EC is the comic book companymost fans associate with horror: therefore, for the average reader there remainsunseen quite a batch of genuinely disturbing, compulsive, imaginative, at timeseven touching, horror stories presented from a variety of visions andperspectives, many of which at their best can stand toe to toe with EC. In Four Color Fear , the better horror companies are represented, and artistperennials contribute both stories and covers, with many of the forty full-sizedcovers created by specialists Bernard Baily, L.B. Cole, William Eckgren, andMatt Fox.