Konstfacks bibliotek : Winsor McCay : his life and art

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Winsor McCay : his life and art

Hylla	TECKNADE SERIER - Ibz McCay, Winsor
Personnamn	Canemaker, John
Titel och upphov	Winsor McCay : his life and art
Utgivning, distribution etc.	Harry N. Abrams, New York : 2005
Utgivningsår	2005
	Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)	741.5/092 B
SAB klassifikationskod	21.29 Ibz McCay, Winsor Lz McCay, Winsor G.05
Upplaga	Rev. and expanded ed.
Fysisk beskrivning	271 p. : ill. (some col.) ; 32 cm.
Anmärkning: Allmän	Originally published in 1987 by Abbeville Press, New York.
Anmärkning: Bibliografi etc.	Includes bibliographical references (p. 265-266) and index.
Anmärkning: Innehåll	Phase one: 1867 to 1903. Michigan years -- Chicago to Cincinnati -- Cincinnati years -- Phase two: 1903 to 1911. New York and the great comic strips -- Sheepshead Bay -- Vaudeville -- Little Nemo on Broadway -- Phase three: 1911 to 1934. Animated films -- A Hearst man -- After McCay.
Personnamn	McCay, Winsor,
Term	Cartoonists Tecknade serier
Annat medium	Online version: Canemaker, John. Winsor McCay. Rev. and expanded ed. New York : Harry N. Abrams, 2005
Elektronisk adress och åtkomst (URI)	Table of contents only http://catdir.loc.gov/catdir/toc/ecip056/2005000275.html Publisher description http://catdir.loc.gov/catdir/enhancements/fy0630/2005000275-d.html
ISBN	0-8109-5941-0 (alk. paper) 978-0-8109-5941-5 (alk. paper) 0-8109-9234-5 (pbk. : alk. paper) 978-0-8109-9234-4 (pbk. : alk. paper)
Antal i kö:	0 (0)

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*24510$aWinsor McCay :$bhis life and art /$cJohn Canemaker ; foreword by Maurice Sendak
*250  $aRev. and expanded ed.
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*300  $a271 p. :$bill. (some col.) ;$c32 cm.
*500  $aOriginally published in 1987 by Abbeville Press, New York.
*504  $aIncludes bibliographical references (p. 265-266) and index.
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*852  $5Ko$bKo$hTECKNADE SERIER - Ibz McCay, Winsor
*85641$3Table of contents only$uhttp://catdir.loc.gov/catdir/toc/ecip056/2005000275.html
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^

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John Canemaker reviews and fully analyzes McCay's achievements in print and film, examining his work in relation to his life, his family, and to American culture and values of the period. Original art from all the McCay's endeavors and rare personal photographs provide a visual counterpart to Canemaker's fascinating text. Begining with McCay's childhood in pioneer-era Michigan, circa 1870, this biography moves on through his earliest attempts to find an artistic voice in Chicago and turn-of-the-century Cincinnati, his work with circus posters, as a quick-sketch newspaper reporter, as a headliner chalk-talk artist in vaudeville, as crown jewel in William Randolph Hearst's grand line-up of newspaper cartoonists, and as the greatest of the early animators. McCay's masterpiece is the epic Little Nemo in Slumberland (1905), a beautiful and surreal fantasy rendered in stunning art nouveau line and subtle yet daring colour, and designed with layouts that anticipate cinematic storytelling techniques. Gertie the Dinosaur (1914), remain landmarks in the history of this art and were unmatched in the fluid movement and personality of the characters until the mature films of Walt Disney came along two decades later.