Mikromarc websearch

   
 
The work of art in the age of its technological reproducibility, and other writings on media
Your basket is empty
Vis
Location
  • Bs
Main Entry - Personal Name
Title Statement
  • The work of art in the age of its technological reproducibility, and other writings on media
Uniform Title
  • Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. English
Publication, Distribution, etc. (Imprint)
  • Belknap Press of Harvard University Press, Cambridge, Mass. : 2008
  • 2008
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • vi, 426 p. : ill. ; 24 cm.
Bibliography, etc. Note
  • Includes bibliographical references and index.
Language Note
  • Translated from the German.
Subject - Personal Name
Subject - Topical Term
ISBN
  • 978-0-674-02445-8 (pbk. : alk. paper)
  • 0-674-02445-1 (pbk. : alk. paper)
Waiting
  • 1 (0)
*00002677nam a22006977a 4500
*00136335
*00520100419140202.0
*008111115s2008    maua          001 0 eng c
*010  $a2008004494
*015  $aGBA817821$2bnb
*0167 $a014519512$2Uk
*020  $a978-0-674-02445-8 (pbk. : alk. paper)
*020  $a0-674-02445-1 (pbk. : alk. paper)
*035  $a(SE-LIBR)10945379
*035  $a(Ko)40680
*040  $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dC#P$dBWX$dCDX$dOCLCA$dUKM$dVP@$dG
*0411 $aeng$hger
*05000$aN72.S6$bB413 2008
*08200$a302.23$222
*084  $aDf$2kssb/8
*084  $aBs$2kssb/8
*1001 $aBenjamin, Walter,$d1892-1940
*24010$aKunstwerk im Zeitalter seiner technischen Reproduzierbarkeit.$lEnglish
*24514$aThe work of art in the age of its technological reproducibility, and other writings on media /$cWalter Benjamin ; edited by Michael W. Jennings, Brigid Doherty, and Thomas Y. Levin ; translated by Edmund Jephcott ... [et al.]
*260  $aCambridge, Mass. :$bBelknap Press of Harvard University Press,$c2008
*300  $avi, 426 p. :$bill. ;$c24 cm.
*504  $aIncludes bibliographical references and index.
*546  $aTranslated from the German.
*60017$aBenjamin, Walter,$d1892-1940$xoch massmedia
*650 0$aArt and society.
*650 0$aPhotography of art.
*650 0$aMass media$xPhilosophy.
*650 0$aArts, Modern$y20th century$xPhilosophy.
*650 7$aText och bild$2sao$0https://id.kb.se/term/sao/Text%20och%20bild
*650 7$aMassmedia$2sao
*650 0$aMass media
*7001 $aJennings, Michael William$4edt
*7001 $aDoherty, Brigid$4edt
*7001 $aLevin, Thomas Y.$4edt
*7001 $aJephcott, E. F. N.$4trl
*841  $5Ko$ax  a$b1111154u    8   1001uu   0901128$e4
*852  $5Ko$bKo$hBs
*950  $aMassmedier$uMassmedia
*950  $aMedia$uMassmedia
*950  $aBarn och massmedia$wh$uMassmedia
*950  $aMassmedia$xsociala aspekter$wh$uMassmedia
*950  $wh$aMediedrev$uMassmedia
*950  $aMediekompetens$wh$uMassmedia
*950  $aMinoriteter och massmedia$wh$uMassmedia
*950  $aNyhetsbyråer$wh$uMassmedia
*950  $aProduktplacering i massmedia$wh$uMassmedia
*950  $wh$aReligion och massmedia$uMassmedia
*950  $aUngdomar och massmedia$wh$uMassmedia
*950  $aPopulärkultur$uMassmedia
*950  $aBild och text$uText och bild
*950  $aFotografi och text$uText och bild
*950  $aOrd och bild$uText och bild
*950  $aText och fotografi$uText och bild
*950  $aKonst och litteratur$uText och bild
^
No reviews exists for this book.
Click here to be the first to write a review.

Walter Benjamin's famous "Work of Art" essay sets out his boldest thoughts--on media and on culture in general--in their most realized form, while retaining an edge that gets under the skin of everyone who reads it. In this essay the visual arts of the machine age morph into literature and theory and then back again to images, gestures, and thought.

This essay, however, is only the beginning of a vast collection of writings that the editors have assembled to demonstrate what was revolutionary about Benjamin's explorations on media. Long before Marshall McLuhan, Benjamin saw that the way a bullet rips into its victim is exactly the way a movie or pop song lodges in the soul.

This book contains the second, and most daring, of the four versions of the "Work of Art" essay--the one that addresses the utopian developments of the modern media. The collection tracks Benjamin's observations on the media as they are revealed in essays on the production and reception of art; on film, radio, and photography; and on the modern transformations of literature and painting. The volume contains some of Benjamin's best-known work alongside fascinating, little-known essays--some appearing for the first time in English. In the context of his passionate engagement with questions of aesthetics, the scope of Benjamin's media theory can be fully appreciated.

  • p. ix
  • p. 1
    • p. 19
    • p. 56
    • p. 58
    • p. 60
    • p. 67
    • p. 75
    • p. 77
    • p. 79
    • p. 96
    • p. 116
    • p. 158
    • p. 171
    • p. 173
    • p. 175
    • p. 180
    • p. 187
    • p. 192
    • p. 219
    • p. 221
    • p. 226
    • p. 236
    • p. 240
    • p. 243
    • p. 249
    • p. 254
    • p. 257
    • p. 271
    • p. 274
    • p. 299
    • p. 312
    • p. 323
    • p. 328
    • p. 333
    • p. 335
    • p. 338
    • p. 340
    • p. 353
    • p. 355
    • p. 359
    • p. 361
    • p. 391
    • p. 393
    • p. 397
    • p. 403
    • p. 407
  • p. 411
Send to