Konstfacks bibliotek

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*008110929s2011    gw a     bc   001 0 eng c
*010  $a2010928510
*020  $a978-0-262-51581-8
*020  $a0-262-51581-4
*035  $a(SE-LIBR)12317065
*035  $a(Ko)40518
*040  $aBTCTA$beng$cBTCTA$dDLC$dYDXCP$dERASA$dTEF$dCDX$dBWX$dVVP$dOSU$dSTF$dUPM$dIOG$dINU$dMIX
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*05000$aN7433.85.E85$bL58 2011
*08204$a709.4972$222
*084  $aIb-nb.55$2kssb/8
*24502$aA little known story about a movement, a magazine and the computer's arrival in art :$bNew Tendencies and Bit international, 1961-1973 /$cedited by Margit Rosen in collaboration with Peter Weibel, Darko Fritz, and Marija Gattin.
*260  $aKarlsruhe, Germany :$bZKM/Center for Art and Media ;$aCambridge, MA :$bMIT Press,$cc2011.
*300  $a576 p. :$bill. (some col.) ;$c27 cm.
*500  $aPublished in conjunction with exhibitions held at the Neue Galerie Graz am Landesmuseum Joanneum from Apr. 28-June 17, 2007, and at ZKM/Center for Art and Media Karlsruhe from Feb. 23, 2008-Jan. 18, 2009.
*504  $aIncludes bibliographical references and index.
*50500$gMachine generated contents note:$tThe Conditions and Circumstances That Preceded the Mounting of the First Two New Tendencies Exhibitions in Zagreb 1961-1963 /$rJerko Denegri --$tThe Art of Programming: The New Tendencies and the Arrival of the Computer as a Means of Artistic Research /$rMargit Rosen --$tDigital Art: Intrusion or Inclusion? /$rPeter Weibel --$tThe Work of Vladimir Bonacic: A Temporary Realization of the New Tendencies' Program /$rDarko Fritz --$t1961 --$tNove tendencije Preparation --$tLetter to Matko Mestrovic /$rAlmir Mavignier --$tLetter to Mary Bauermeister /$rBozo Bek --$tLetter to Matko Mestrovic /$rAlmir Mavignier --$tNove tendencije Exhibition --$tUntitled /$rMatko Mestrovic --$tUntitled /$rRadoslav Putar --$tArtists' Commentaries --$t1962-1963 --$tL'Instabilite Exhibition --$tThe Case for Programmed Experimental Painting /$rFrancois Morellet --$tGroupe de Recherche d'Art Visuel /$rNouvelle Tendance --$tArte programmata. arte cinetica, opere moltiplicate, opera aperta Exhibition
*50500$tUmberto Eco /$rArte Programmata --$tMeeting of the Nouvelle Tendance --$tOltre la pittura. Oltre la scultura. Mostra di ricerche di arte visiva Exhibition --$tUntitled /$rUmbro Apollonio --$t1963-1964 --$gnove tendencije 2$tExhibition --$tUntitled /$rMatko Mestrovic --$tArtists' Commentaries --$tTimeline --$tFor a Progressive Abstract Art /$rFrancois Morellet --$tNouvelle Tendance -- recherche continuelle --$tBulletin No. 1 --$gnuova tendenza 2$tExhibition --$tneue tendenzen Exhibition --$t1964-1965 --$tPropositions visuelles du mouvement international Nouvelle Tendance Exhibition --$tWhat Is the Nouvelle Tendance? /$rKarl Gerstner --$tArte Programmata. Kinetic Art Exhibition --$tArte Programmata /$rBruno Munari --$t1965 --$gnova tendencija 3$tExhibition --$tRemarks /$rEditorial Board --$tArt as Research /$rGiulio Carlo Argan --$tSemantic Concrete Art /$rWaldemar Cordeiro --$tActuality of Functional Art /$rDimitrije Basicevic --$tUntitled /$rAnonima Group --$tCybernetics and the Work of Art /$rAbraham A. Moles --$tWorking Meeting of the Participants of NT3 /$rRadoslav Putar
*50500$tZagreb from Michelangelo /$rFrancis Hewitt --$t1968 --$ttendencife 4 / tendencies 4 Preparation --$tnt4 program for 1968 /$rBozo Bek --$tContinuation of the Discussion about the Concept of nt4 on December 6, 1967 /$rBozo Bek --$gProgram Information 1$ttendencija 4 --$gProgram Information 7$ttendencije 4 / tendencies 4 --$tLetter to Bozo Bek /$rWaldemar Cordeiro --$tInformation exhibition accompanying the colloquy tendencije 4. "Kompjuteri i vizuelna istrazivanja" tendencies 4. "Computers and Visual Research" Exhibition --$gtendencije 4$t"Kompjuteri i vizuelna istrazivanja" tendencies 4. "Computers and Visual Research" Colloquy --$tIntroduction to the Colloquy /$rAbraham A. Moles --$tDilemma /$rVjenceslav Richter --$tSituation 1967 /$rAlberto Biasi --$tReply to Alberto Biasi /$rFrieder Nake --$tCapabilities of the Computer in Visual Research /$rVladimir Bonacic --$tThe Role of Interaction in Artistic Expression by Means of Computer /$rBranimir Makanec --$tNotes on t-4 /$rMarc Adrian --$tComputer. Creator or Tool? /$rJiri Valoch --$tMeeting of the t-4 Organizational Board --$tProgram Information 10 tendencije 4 / tendencies 4 --$tProgram Information 11 tendencije 4 / tendencies 4
*50500$gBit international 1$tteorija informacija i nova estetika bit international 1. the theory of information and the new aesthetics Magazine --$tWhy bit Appears --$tAesthetics and Programming /$rMax Bense --$tExperimental Aesthetics in the New Consumer Society /$rAbraham A. Moles --$gbit international 2$tkompjuteri i vizuelna istrazivanja --$gbit international 2$tcomputers and visual research Magazine --$tA New Perspective: Computers and Visual Research /$rJerko Denegri --$tThe Aesthetics for Computer Art /$rHiroshi Kawano --$tThe Digital Computer as a Creative Medium /$rA. Michael Noll --$tComputer Graphics and Visual Complexity /$rGeorg Nees --$gbit international 3$tinternacionalni kolokvij kompjuteri i vizuelna istrazivanja, zagreb, 3-4 kolovoz 1968 --$gbit international 3$tinternational colloquy computers and visual research, zagreb, august 3-4 1968 Magazine --$t1969 --$gtendencije 4$tnove tendencije 4 --$ttendencies 4. new tendencies 4 Exhibition --$ttendencije 4 / tendencies 4 /$rAnonymous --$tNew Tendencies 4 /$rRadoslav Putar --$tnove tendencije 1 -- A Surprising Coincidence /$rAlmir Mavignier --$gtendencije 4$tkompjuteri i vizuelna istrazivanja --$ttendencies 4. computers and visual research Exhibition
*50500$tComputers and Visual Research /$rBoris Kelemen --$tProgram Information 13 --$ttendencije 4 / tendencies 4 --$tArt as a Function of Subject, Cognition, and Time /$rVladimir Bonacic --$tCompos 68 (J. B. Bedaux, J. Clausman, A. Veen) "Definitions..." --$tSYSPOT /$rHorst Wegscheider --$gtendencije 4$ttypoezija / tendencies 4. typoezija Exhibition --$tTypoezija /$rZelimir Koscevic --$gtendencije 4$t"Kompjuteri i vizuelna istrazivanja" --$ttendencies 4. "Computers and Visual Research" Symposium --$tToday's Research and Tomorrow's Society /$rVera Horvat-Pintaric --$tPsychological Aspects of Man-Computer Relations /$rMartin Krampen --$tUntitled /$rUmberto Eco --$tProducing Art with the Computer /$rKarl Gerstner --$tZagreb Manifesto /$rG. Metzger --$t[Untitled] /$rGustav Metzger --$tComputers and Human Research: Programming and Self-Management of Form /$rLaura Mosso --$tThe Philosophy of Visual Research /$rKurd Alsleben --$tSocial Aspects of Computer Art /$rHerbert W. Franke --$tOn the Interpretation of Programmed Art /$rJosef Hlavacek --$tFor ARC: Cybernetics Proposal /$rGary Rice --$gbit international 4$tdizajn
*50500$gBit international 4$tdesign Magazine --$tScience and Design /$rGui Bonsiepe --$gbit international 5/6$toslikovljena rijec. konkretna poezija --$gbit international 5/6$tthe word image. poesie concrete Magazine --$tFirst Croatian Literary Texts Computer-Processed /$rZeljko Bujas --$t1971 --$t"Umjetnost i kompjuteri 71" / "Art and Computers 71" Colloquy --$tThe Computer as a Medium /$rJonathan Benthall --$tThere Should Be No Computer Art /$rFrieder Nake --$t1971-1972 --$gbit international 7$tdijalog sa strojem --$gbit international 7$tdialogue with the machine Magazine --$gbit international 8/9$ttelevizija danas: televizija i kultura -- jezik televizije -- eksperimenti --$gbit international 8/9$ttelevision today: television and culture -- the language of television -- experiments Magazine --$t1973 --$gtendencije 5$tkonstruktivna vizuelna istrazivanja. kompjuterska vizuelna istrazivanja. konceptualna umjetnost --$ttendencies 5. constructive visual research. computer visual research. conceptual art Exhibition --$tt-5 /$rRadoslav Putar --$tComputer Visual Research /$rBoris Kelemen --$tConceptual Art /$rMarijan Susovski
*50500$gTendencije 5$t"Racionalno i iracionalno u vizualnim istrazivanjima danas" --$ttendencies 5. "The Rational and Irrational in Visual Research Today. Match of Ideas" Symposium --$tComputer Art and the Construction of an Art Computer in Terms of Experimental Computer Science /$rOskar Beckman --$tA Proposal for an Interactive Program Exhibit /$rEdward Zajec --$tS Expressions /$rPatrick Greussay --$t1978 --$gtendencije 6$t"Umjetnost i drustvo" --$ttendencies 6. "Art and Society" Symposium --$tt-6 = "Art and Society," Invitation /$rGalerija Suvremene Umjetnosti --$tAppendix --$tThe International Artists' Movement New Tendencies in Zagreb: A Timeline /$rMargit Rosen.
*520  $a"This is a source book chronologically documenting the exhibitions, symposia, and publications of the New Tendencies from 1961 to 1978. It features letters, minutes of meetings, essays that appeared in catalogs and the magazine Bit international, transcriptions of audio recordings, photographs of exhibitions, conferences, and works, a timeline, statistics that show which artists participated when in the New Tendencies exhibitions, a bibliography, and biographical notes"--P. 12.
*61120$aNouvelle tendance (Exhibition)$vExhibitions.
*63000$aBit (Zagreb, Croatia)$vExhibitions.
*650 0$aComputer art$zEurope$vExhibitions.
*650 0$aArts$xExperimental methods$xHistory$y20th century$vSources.
*650 0$aArt$vExhibitions$xHistory$y20th century$vSources.
*650 7$aKonst$zJugoslavien$y1960-talet$y1970-talet$2sao
*7001 $aRosen, Margit,$d1974-$4edt
*7001 $aWeibel, Peter$4edt
*7001 $aFritz, Darko,$d1966-$4edt
*7001 $aGattin, Marija$4edt
*7102 $aLandesbildergalerie (Steiermärkisches Landesmuseum Joanneum)
*7102 $aZentrum für Kunst und Medientechnologie Karlsruhe.
*841  $5Ko$ax  a$b1109294u    8   1001uu   0901128$e4
*852  $5Ko$bKo$hKONST - Ib-n
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When Zagreb was the epicenter of explorations into the aesthetic potential of the new "thinking machines." This book documents a short but intense artistic experiment that took place in Yugoslavia fifty years ago but has been influential far beyond that time and place- the "little-known story" of the advent of computers in art. It was through the activities of the New Tendencies movement, begun in Zagreb in 1961, and its supporting institution the Galerija suvremene umjetnosti that the "thinking machine" was adopted as an artistic tool and medium. Pursuing the idea of "art as visual research," the New Tendencies movement proceeded along a path that led from Concrete and Constructivist art, Op art, and Kinetic art to computer-generated graphics, film, and sculpture. With their exhibitions and conferences and the 1968 launch of the multilingual, groundbreaking magazine Bit International, the New Tendencies transformed Zagreb-already one of the most vibrant artistic centers in Yugoslavia-into an international meeting place where artists, engineers, and scientists from both sides of the Iron Curtain gathered around the then-new technology. For a brief moment in time, Zagreb was the epicenter of explorations of the aesthetic, scientific, and political potential of the computer. This volume documents that exhilarating period. It includes new essays by Jerko Denegri, Darko Fritz, Margit Rosen, and Peter Weibel; many texts that were first published in New Tendencies exhibition catalogs and Bit International magazine; and historic documents. More than 650 black-and-white and color illustrations testify to the astonishing diversity of the exhibited artworks and introduce the movement's protagonists. Many of the historic photographs, translations, and documents are published here for the first time. Taken together, the images and texts offer the long overdue history of the New Tendencies experiment and its impact on the art of the twentieth century.