Konstfacks bibliotek

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*00136124
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*008110905s2010    gw       b    001 0 eng d
*020  $a978-1-933128-96-2 (hbk.)
*020  $a1-933128-96-8 (hbk.)
*035  $a(SE-LIBR)12282254
*035  $a(Ko)40420
*040  $aSINLB$cSINLB$dYDXCP$dSTF$dOHX$dNLF$dFDA
*050 4$aN6811.5.F74$bA35 2010
*08204$a709.2$222
*084  $aIaa$2kssb/8
*1001 $aFriedl, Peter,$d1960-
*24510$aPeter Friedl :$bsecret modernity : selected writings and interviews 1981-2009 /$cedited by Anselm Franke
*24630$aSecret modernity
*260  $aBerlin :$bSternberg Press,$cc2010
*300  $a270 p. ;$c22 cm.
*504  $aIncludes bibliographical references and index.
*5050 $aGrüber's Discourse -- George Sand -- Jean-Luc Godard -- Clarice Lispector -- Café Amérique : Richard Foreman and His New Play -- New U. S. Dance Theater: Lucinda Childs -- Karl Philipp Moritz -- Dionysus Dismembered : Approaching Hermann Nitsch -- "My Language Is Total" -- Maurice Maeterlinck -- A Tendency to the Gesamtkunstwerk -- Theo van Doesburg -- William Meets Wilhelmina -- Theodor Lessing -- Beginning -- Samarkand -- Systems -- Born to Raise -- Bellamy & Bellamy : The Real State -- Art and Power : Europe under the Dictators 1930-45 -- Alighiero Boetti -- Martin Kippenberger (1953-97) -- Brothers in Crime -- An Interview with Marie-Thérèse Champesme -- Dream City -- The Curse of the Iguana : On Genre and Power -- King Kong in Triomf -- A Conversation with Roger M. Buergel -- One World -- Hanover House -- Yoko Ono : A Conversation with Frank Wagner -- Out of the Shadows -- A Conversation with Jean-Pierre Rehm -- Avenida Glauber Rocha -- A Conversation with Gean Moreno -- Stones for America -- A Conversation with Anselm Franke -- Secret Modernity.
*650 7$aKonstkritik$2sao$0151332
*650 0$aArt criticism.
*650 0$aDramatic criticism.
*650 0$aArts, Modern$xThemes, motives.
*650 0$aArtists$vInterviews.
*650 0$aArt criticism
*7001 $aFranke, Anselm$4edt
*841  $ax a$b1108154u 8 1001uu 0901128$e4
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*950  $6650$aKritik$wg$uKonstkritik
*950  $6650$aKonstkritiker$uKonstkritik
^

In order to remain autonomous, at some point art began to copy everything that is not autonomous. There was no lack of supply and demand since power, as we know, can only be held over the production of truth or else it does not function.

-Peter Friedl

Since the early 1980s, Friedl has written on a variety of subjects. The book Secret Modernity: Selected Writings and Interviews 1981-2009 compiles for the first time a representative selection of his (partly unpublished) texts, along with a series of interviews. As in his artworks, Friedl's writings quote from and rework multiple genres. He offers reviews and portraits of George Sand and Clarice Lispector, of Alighiero Boetti and Jean-Luc Godard; articles and documents contributing to theater and film history, which examine the work of, among others, Richard Foreman, Robert Wilson, or Glauber Rocha; as well as comments and reflections on his own projects. Alongside these are essays delving deep into the past, exploring mainly colonial history and its paradoxical traces in the present: narratives about Haiti, South Africa, and Italy's repressed colonial rule in Africa.

Peter Friedl (b. 1960) lives in Berlin. He has participated in documenta X and 12 (1997, 2007); the 48th Venice Biennale (1999); the 3rd Berlin Biennial for Contemporary Art (2004); the 2nd International Biennial of Contemporary Art, Seville (2006); Manifesta 7, Trento (2008); the 7th Gwangju Biennale (2008); the 28th Bienal de São Paulo (2008), and the Tirana International Contemporary Art Biennial (2009). His solo exhibitions include "Blow Job" at Extra City Kunsthal Antwerpen (2008); "Working" at Kunsthalle Basel (2008); the retrospective survey "Work 1964-2006" at Museu d'Art Contemporani de Barcelona, Miami Art Central, and Musée d'Art Contemporain, Marseille (2006-07); and "Out of the Shadows" at Witte de With, Center for Contemporary Art, Rotterdam (2004). Since the 1980s, he has published numerous essays and books, including Four or Five Roses (Lukas & Sternberg, 2004) and Working at Copan (Sternberg Press, 2007).

Co-published with Extra City Kunsthal Antwerpen